When He's Not a Stranger

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When He's Not a Stranger
GenreDrama
Teleplay byJohn Gray
Beth Sullivan
Story byJosephine Cummings
Richard Yalem
Beth Sullivan
Directed byJohn Gray
StarringAnnabeth Gish
Kevin Dillon
Kim Myers
John Terlesky
Music byMark Snow
Country of originUnited States
Original languageEnglish
Production
Executive producerDon Ohlmeyer
ProducersKaren Danaher-Dorr
Ian Sander
Production locationCalifornia
CinematographyMike Fash
EditorEdward R. Abroms
Running time100 minutes
Production companiesOhlmeyer Communications Company
World International Network
Original release
NetworkCBS
ReleaseNovember 6, 1989 (1989-11-06)

When He's Not a Stranger is a 1989 American made-for-TV crime drama film directed by John Gray and starring Annabeth Gish, Kevin Dillon, Kim Myers, and John Terlesky. The story is about a college freshman who is physically and sexually assaulted by a controlling football jock, and addresses the ordeal that rape victims experience.[1] The movie was originally planned to be broadcast on October 17, 1989, but was delayed due to coverage surrounding the earthquakes in Northern California.[2] The film premiered on CBS on November 6, 1989.

When He's Not a Stranger was released amid a wave of TV shows and movies addressing rape.[3] The film specifically addressed acquaintance rape, with scholars Carol Bohmer and Andrea Parrott calling it a "landmark" for doing so.[1]

At Woodward University, a football-oriented California school, Lyn McKenna is raped by her best friend's abusive, controlling boyfriend, football star Ron Cooper. Lyn is hesitant to reveal this information as she fears that doing so will create social backlash and worsen the aftermath of her experience. However, continued threats from Ron and his fellow football teammates drive Lyn to desperate action. She requests that the school hold a disciplinary hearing against Ron and ultimately demands that a district attorney prosecute.

Critical reception

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When He's Not a Stranger received mixed reviews. Matt Roush of USA Today called the film "schlock" composed of "hokey us-against-them scenarios."[4] Irv Letofsky of the Los Angeles Times, while acknowledging the serious subject matter, "criticized the film's "simple-minded characterizations and elementary insights."[5] More positive were The New York Times' John J. O'Connor, who said the film "maintains a surprisingly hard edge" and noted its treatment of class issues,[2] and The Washington Post's Tom Shales, who praised Gish's performance especially.[6] John Leonard of New York also praised the performances.[7]

Some reviewers found the film exploitative. A Philadelphia Inquirer op-ed wrote that the graphic scenes leading up to Lyn's assault "hardly serve an educational function," and argued that they were intended to boost ratings with salacious content rather than to raise awareness.[8]

References

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