Wave Gods
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| Wave Gods | ||||
|---|---|---|---|---|
| Error creating thumbnail: File missing | ||||
| Mixtape by | ||||
| Released | February 19, 2016 | |||
| Recorded | 2015 | |||
| Genre | Hip hop | |||
| Length | 47:30 | |||
| Label | Coke Boys, Bad Boy, MMG | |||
| Producer |
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| French Montana chronology | ||||
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| Singles from Wave Gods | ||||
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Wave Gods is the twentieth mixtape by Moroccan rapper French Montana, released on February 19, 2016.[1] The mixtape features guest appearances from Future, Kanye West, Nas, Travis Scott, Big Sean, Chris Brown, Quavo, Belly, Kodak Black, Puff Daddy, Jadakiss, Chinx and ASAP Rocky.[2] Production was handled by AK47, Ben Billions, Black Metaphor, DJ Khalil, Harry Fraud, Jayze, Key Wane, London on da Track, Metro Boomin, Rick Steel, Southside, Tariq Beats, The Mekanics, Trakformaz and Wess.
Track listing
[edit | edit source]| No. | Title | Producer(s) | Length |
|---|---|---|---|
| 1. | "Wave Gods (Intro)" (featuring Chris Brown) |
| 2:26 |
| 2. | "Miley Cyrus" (featuring Future) |
| 4:20 |
| 3. | "Sanctuary Part II" (featuring Hikaru Utada) | Black Metaphor | 5:17 |
| 4. | "Figure It Out" (featuring Kanye West and Nas) |
| 4:00 |
| 5. | "Man of My City" (featuring Travis Scott and Big Sean) | 3:22 | |
| 6. | "Max B Interlude" | 1:42 | |
| 7. | "Holy Moly" | Key Wane | 3:00 |
| 8. | "Groupie Love" (featuring Quavo) | London on da Track | 4:13 |
| 9. | "Jackson 5" (featuring Belly) |
| 3:47 |
| 10. | "Lockjaw" (featuring Kodak Black) | Ben Billions | 3:48 |
| 11. | "Puff Interlude" | 1:16 | |
| 12. | "Old Man Wildin'" (featuring Puff Daddy and Jadakiss) | 88-Keys | 3:07 |
| 13. | "All Over" (featuring Chinx) |
| 3:17 |
| 14. | "Off the Rip (Remix)" (featuring ASAP Rocky and Chinx) | Trakformaz | 3:55 |
- Notes
- "Old Man Wildin'" features uncredited vocals by Manolo Rose.
- "Lockjaw" and "Figure It Out" are also included on his canceled second studio album MC4.
- "Man of My City" features uncredited vocals by K Camp.
- "Sanctuary Part II" features uncredited vocals and sampling by Hikaru Utada.
References
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