Walter Olmo
Walter Olmo (28 November 1938, Alba, Piedmont, Italy – 16 May 2019) was an Italian musician and composer.[1] In 1957 he wrote Towards a Conception of Musical Experimentation (Pour un concept d'expérimentation musicale). He advocated avant-garde electronic and contemporary music.[2] In his 1975 he published the essay La fine della preistoria musicale (The End of Musical Prehistory).[2]
He attended the Milan Conservatory graduating in piano and composition. He then studied under Mauricio Kagel, Karlheinz Stockhausen, Christian Wolff and Iannis Xenakis in Darmstadt.[2] Then he moved to Accademia Musicale Chigiana, Siena where he studied with Franco Donatoni and Franco Ferrara.[2]
With Piero Simondo, Elena Verrone, Michèle Bernstein, Guy Debord, Giuseppe Pinot-Gallizio and Asger Jorn, Olmo founded the Situationist International on July 28, 1957. Following a row with Debord, the Italian Section consisting of Olmo, Simondo and Verrone was expelled in January 1958. However he continued to collaborate with Gallizio, providing his "tereminofono", a musical instrument he had devised by adapting a theremin, for Gallizio's first public exhibition of "Industrial Painting" held at the Notizie Gallery, Turin on 30 May 1958.[3]
During the 1980s, he was a lecturer at the Licinio Refice Conservatory Frosinone.
References
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