The Exploited

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The Exploited
The Exploited in 2014
The Exploited in 2014
Background information
OriginEdinburgh, Scotland
Genres
WorksDiscography
Years active1978–present
Labels
MembersWattie Buchan
Gary gman Sullivan
Irish Rob (Robert Halkett)
Steve Campbell
Past membersSee timeline
Websitethe-exploited.net

The Exploited are a Scottish punk rock band from Edinburgh, formed in 1978 by Stevie Ross and Terry Buchan, with Buchan soon replaced by his brother Wattie Buchan. They signed to Secret Records in March 1981,[1] and their debut EP, Army Life, and debut album, Punks Not Dead, were both released that year.[1] The band maintained a large cult following in the 1980s among a hardcore working class punk and skinhead audience. Originally a street punk band, the Exploited eventually evolved into a crossover thrash band with the release of their album Death Before Dishonour in 1987.

Although the Exploited continue to perform live, they have not released any studio material since their 2003 album, Fuck the System. Their songs have been covered by Slayer and others. Despite numerous lineup changes, Wattie has remained the Exploited's singer and leader.

Career

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Formation and early days (1979–1980)

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The original line-up consisted of Terry Buchan (vocals), Stevie Ross (guitar), Colin Erskine (bass) and Andy McNiven (drums). After a few gigs in and around Edinburgh, Stevie Ross left following an appearance in Aberdeen supporting the UK Subs.

Stevie Ross was briefly replaced by guitarist Stevey Hay (Hayboy), who died on 14 July 2013 after a successful career as a blues musician.[2] Guitar duties were then taken over by Big John Duncan.[citation needed]

Stevie Ross continues to write songs and, in addition to solo performances, he also plays in The Station Road Band.[citation needed]

Early releases and Punk's Not Dead (1980–1981)

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Influenced by 1970s punk rock music, such as that by the Sex Pistols,[3] the quartet developed a straightforward, no-frills sound characterised by speed and aggression. In 1980, the group founded their own independent record label, Exploited Records, and released their debut EP Army Life, which ranked #6 in the Indie/Independent charts for eight weeks and remained in the Top 20 for eighteen months.[4][5] The B-side was titled Fuck the Mods / Crashed Out, and the record's back cover featured the message, "To all the Edinburgh punks and skins - keep on mod-bashing!!".

They then released another single, "Barmy Army", which ascended the independent charts and remained there for 53 weeks, peaking at #4.[4] Their single "Dead Cities" reached #31 on the UK Charts.[5] Their single "Exploited Barmy Army" peaked at #4 on the Independent/Indie chart.[5]

In March 1981, the band signed to Secret Records and spent a month recording their debut album, Punks Not Dead.[6] The Exploited released the single "Dogs of War", which peaked at #2 on the Independent charts and #63 on the UK Charts.[4][6][7] Also in 1981, the band released their first live album, On Stage, recorded during a concert in Edinburgh. Subsequently, the band toured with Discharge, Anti-Nowhere League, Anti-Pasti and Chron Gen on a tour titled Apocalypse Now, which was recorded and released as a live album. Their album Punks Not Dead, released in April 1981, reached #20 in May,[8] and then climbed to number 1 on the Independent Charts.[4][7] During this period, the Exploited appeared on the popular mainstream TV programme, Top of the Pops.[9][10] Many fans of the Exploited were unhappy with the band's decision to appear on the show.[10] The hardcore punk band Conflict wrote the song "Exploitation" about this appearance, which led to a long-standing rivalry between Conflict and the Exploited, dividing the punk fan base.[11]

File:Young mohawk punk c1984.jpg
A young punk wearing an Exploited T-shirt in 1984

Troops of Tomorrow, Let's Start a War, and Horror Epics (1982–1986)

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The band released the albums Troops of Tomorrow in 1982, Let's Start a War in 1983[12] and Horror Epics in 1985.[13] The period between these albums was marked by severe discord over the band's musical direction: guitarist Big John Duncan and bassist Gary McCormack both left to form new bands—"bands with disco beats and guitar solos, total shit", in Wattie's words—and the band experienced a rapid succession of drummers, one of whom allegedly left after a "nervous breakdown".[14] The band was driven away from the Secret label by new management who demanded unrealistic changes in style and personnel.[14] Their next label, a small enterprise named Pax Records, folded after its owner fled with all its assets.[14]

The concert album Live at the Whitehouse was recorded in Washington, D.C., in 1985 at the 9:30 Club and was released the following year in 1986.[4] They also released the studio EP Jesus Is Dead in 1986, followed by Live and Loud, a videography of the Exploited performing across Europe and the United States. During the US tour, Wattie and Karl Morris had an altercation on stage, and Karl left shortly afterwards.[11] He was briefly replaced by Mad Mick, who then disappeared without trace.[citation needed] Nigel Swanson was then appointed as the new guitarist.[citation needed]

Death Before Dishonour, The Massacre and Beat the Bastards (1987–2002)

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File:The Exploited (37398720906).jpg
Wattie Buchan performing with the Exploited in Japan, 1991

"Sexual Favours", a single from the album Death Before Dishonour, was released in 1987. The album only ranked in the top 200 of the British Alternative Music chart. However, the album sold out quickly.[15] The album's cover featured artwork from the American punk artist Pushead, who complained that he was neither paid nor credited for the work.[11]

In 1990, the Exploited released their album The Massacre. The album is a crossover thrash album.[16] The band went on to release a Singles Collection album in 1993. The Exploited also released the videography Live in Japan in 1993. Their album Beat the Bastards was released in April 1996.[17]

Fuck the System and next album (2003–present)

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In early 2003, the band released the album Fuck the System on Dream Catcher Records,[18] and in the following year, they toured the UK[19] and the US.[20] On 14 October 2003, around 500 fans sparked a riot in Montreal, Canada after an Exploited concert was cancelled due to the band being denied entry into the country.[21][22][23] Rioters overturned and set fire to eight cars, broke eleven shop windows, and caused other damage.[22][23] The band was banned from performing in Mexico City as a result of the riot.[24]

File:ExploitedVorselaar.jpg
The Exploited performing in 2018

In a 2012 interview, Wattie Buchan stated that a new album was nearing completion.[25] In February 2014, Wattie Buchan suffered a heart attack on stage during a performance in Lisbon as part of the band's Taste of Chaos Tour with Hatebreed and Napalm Death. He was taken to hospital, where he was expected to remain for at least a week for treatment.[citation needed] The band signed a deal with Nuclear Blast Records, and it was planned that many of their albums would be reissued in March 2014. The band also confirmed that their first album in a decade would be released during the 2010s.[26][27]

In March 2020, Wattie Buchan responded to the coronavirus outbreak that was forcing bands to cancel or postpone tours. He made a pointed remark about Green Day (a band he had frequently stated he disliked), saying, "Fuck coronavirus! I have had 5 heart attacks, a quadruple heart bypass and a heart pacemaker fitted. Cancel gigs for a virus? We ain't fucking Green Day piss – We are the real deal. No danger will we be cancelling our upcoming gigs. Punks Not Dead!"[28] The Australian leg of the tour was cancelled four days later, although the band completed all the scheduled New Zealand gigs.[29]

Legacy

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The Exploited are one of the iconic bands of the UK 82 punk movement, alongside Charged GBH[30] and Discharge.[31] The term "UK 82" was derived from the Exploited's song "UK 82".[32] AllMusic described the Exploited as "one of the most riveting British punk rock units of the early 1980s".[33]

The Exploited have influenced Metallica,[34][35] Slayer,[34][35] Anthrax,[36] Nirvana,[34] Queens of the Stone Age,[34] Discharge,[37] Stormtroopers of Death,[37] Agnostic Front,[37] Exodus,[38] the Virus,[39] Napalm Death,[40] Terrorizer,[41] NOFX,[36] Rancid,[36] Dropkick Murphys,[36] the Casualties,[42] Pennywise,[36] 7 Seconds,[43] Anti-Flag,[44] Blanks 77,[36][45] Atari Teenage Riot,[34] Death Angel,[46] and Total Chaos.[47]

Musical style and influences

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The Exploited has been categorised as crossover thrash,[48] punk rock,[16] thrash metal,[49] speed metal,[50] punk metal,[37] anarchist punk,[51] hardcore punk,[49][52] street punk[53][54][55][56] and oi!.[56][57][58][59][60][61] Originally playing street punk and oi!, The Exploited evolved into a crossover thrash band with their album Death Before Dishonour.[48] The Exploited's influences include Sex Pistols, The Sensational Alex Harvey Band, the Vibrators, the Threats, Alternative, the Belsen Horrors, and Johnny Moped.[56][62] Wattie Buchan has also mentioned being influenced by James Brown and has expressed his admiration for The Cure's first four albums.[63]

Lyrics

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File:WattieVorselaar.jpg
Wattie performing with the Exploited in 2018

The Exploited have been controversial for their aggressive lyrics and rowdy gigs. Ian Glasper described them as "cartoon punks."[64] Glasper wrote: "For many, the Exploited were the quintessential second wave punk band with their senses-searing high-speed outbursts against the system, and wild-eyed frontman Walter 'Wattie' Buchan's archetypal orange mohican."[64]

The Exploited are known for their lyrics addressing anarchy,[51] politics[49][56][65] and anti-authority themes.[66][67] In a 1983 interview, the Exploited stated that they were not a political band,[68] but their lyrics became increasingly political in the late 1980s. Wattie Buchan noted in the documentary Punk's Not Dead that punk is defined by its politics. As a band with anarchist-themed lyrics, the Exploited's vocalist Wattie Buchan identifies as an anarchist[69] and has openly expressed disdain for politics.[67] The Exploited have written songs about former British Prime Minister Margaret Thatcher and have conveyed a negative view towards her.[65][70] The song "Maggie" from the band's album Horror Epics is specifically about Thatcher.[56][65] The Exploited's third studio album, "Let's Start a War... (Said Maggie One Day)," centres on Margaret Thatcher and the Falklands War.[50][65][70] Other themes explored in the album include police-led riots, war, unemployment, and a sense of hopelessness.[50] Many songs from the mid-1980s focus on the threat of nuclear war.[11]

The fans of the Exploited were nicknamed the Barmy Army. During the rivalry between the Exploited and Conflict, there were occasional clashes with fans of Conflict, known as "the Conflict Crew". In addition to the anti-social behaviour of the band and some of their fans, the Exploited would often cancel gigs at short notice in the 1980s, which led many venues to refuse to work with them.[11]

After the 1981 Southall riot, Oi! bands, in general, became associated with racism,[71][72][73] and the Exploited were sometimes believed to be a racist band due to Wattie's swastika tattoo, an incident in the early 1980s where Wattie fought with a group of Asians in a café, and in 1985 when "Deptford John" joined from the skinhead band Combat 84.[11] The band has denied all accusations of racism.[11]

As of August 2017, the band's website includes a history that mentions some of the issues surrounding their gigs, such as a riot after a show at the Rainbow in Finsbury Park, London, when the Jam were playing nearby and Wattie incited fans to attack the Mods, and a statement made onstage in Argentina that the Falkland Islands are British forever.[74] George Same has written about the fighting after the Finsbury Park gig in his book on modern music, Backward Moddy Boy.[75] In a documentary about the band, former manager Gem Howard stated that he would often sneak the band out of hotels late at night, as they would frequently vandalise the hotel and steal items from the rooms.[11]

Current members

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  • Wattie Buchan – vocals 1979–present
  • Irish Rob – bass 2004–present
  • Steve Campbell – guitars 2020–present
  • Gary gman Sullivan – drums 2024–present

Timeline

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<timeline> ImageSize = width:800 height:auto barincrement:18 PlotArea = left:100 bottom:60 top:10 right:10 Alignbars = justify DateFormat = mm/dd/yyyy Period = from:01/01/1980 till:08/04/2025 TimeAxis = orientation:horizontal format:yyyy

Colors = 

 id:vocals    value:red        legend:Vocals
 id:guitars   value:green      legend:Guitars
 id:bass      value:blue       legend:Bass
 id:drums     value:orange     legend:Drums
 id:album     value:black      legend:Studio_album
 id:bars       value:gray(0.9)

BackgroundColors = bars:bars

Legend = orientation:horizontal position:bottom

ScaleMajor = increment:2 start:1980 ScaleMinor = increment:1 start:1980

LineData = 

layer:back
 color:album
 at:04/01/1981
 at:07/01/1982
 at:10/01/1983
 at:04/15/1985
 at:04/15/1987
 at:04/15/1990
 at:04/23/1996
 at:10/08/2002

BarData = 

 bar:Wattie     text:"Wattie Buchan"
 bar:Duncan     text:"Big John Duncan"
 bar:Dunn        text:"Billy Dunn"
 bar:Morris     text:"Karl Morris"
 bar:Swanson    text:"Nigel Swanson"
 bar:Balfour    text:"Gordon Balfour"
 bar:Rosetti    text:"Fraser Rosetti"
 bar:Dalrymple  text:"Arthur Dalrymple"
 bar:Davidson   text:"Robbie Davidson"
 bar:McGuire    text:"Matt Justice"
 bar:Concrete   text:"Tommy Concrete"
 bar:Steve      text:"Steve Campbell"
 bar:McCormack  text:"Gary McCormack"
 bar:Tyas       text:"Wayne Tyas"
 bar:Lochiel    text:"Tony Lochiel"
 bar:Smellie    text:"Mark Smellie"
 bar:Gray       text:"Jim Gray"
 bar:Mikie      text:"Mikie Jacobs"
 bar:Rob        text:"Irish Rob"
 bar:Jimbo      text:"Jim Park"
 bar:Campbell   text:"Dru Stix"
 bar:Heatley    text:"Danny Heatley"
 bar:Wullie     text:"Wullie Buchan"
 bar:Tony       text:"Tony Warren"

PlotData= 

 width:11 textcolor:black align:left anchor:from shift:(10,-4)
 bar:Wattie    from:start till:end        color:vocals
 bar:Duncan    from:start till:02/01/1983 color:guitars
 bar:Dunn      from:02/01/1983 till:11/01/1983 color:guitars
 bar:Morris    from:11/01/1983 till:12/31/1985 color:guitars
 bar:Swanson   from:01/01/1986 till:12/31/1988 color:guitars
 bar:Balfour   from:01/01/1989 till:05/01/1991 color:guitars
 bar:Rosetti   from:05/01/1991 till:08/01/1996 color:guitars
 bar:Dalrymple from:08/01/1996 till:03/01/2001 color:guitars
 bar:Davidson  from:03/01/2001 till:12/31/2007 color:guitars
 bar:Davidson  from:04/01/2016 till:01/01/2020 color:guitars
 bar:McGuire   from:01/01/2008 till:03/01/2011 color:guitars
 bar:Concrete  from:03/01/2011 till:12/31/2012 color:guitars
 bar:McGuire   from:01/01/2013 till:04/01/2016 color:guitars
 bar:Steve     from:01/01/2020 till:end                    color:guitars

 bar:McCormack from:start till:02/01/1983 color:bass
 bar:Tyas      from:02/01/1983 till:06/01/1986 color:bass
 bar:Lochiel   from:06/01/1986 till:11/01/1987 color:bass
 bar:Smellie   from:11/01/1987 till:03/01/1993 color:bass
 bar:Gray      from:03/01/1993 till:09/01/1996 color:bass
 bar:Mikie     from:09/01/1996 till:12/31/2002 color:bass
 bar:Rob       from:01/01/2003 till:end        color:bass

 bar:Jimbo     from:start till:01/04/1980 color:drums
 bar:Campbell  from:01/04/1980 till:02/01/1982 color:drums
 bar:Heatley   from:02/01/1982 till:04/01/1983 color:drums
 bar:Wullie    from:04/01/1983 till:04/01/1989 color:drums
 bar:Wullie    from:04/01/1991 till:end        color:drums
 bar:Tony      from:04/01/1989 till:04/01/1991 color:drums

</timeline>

Discography

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Main article: The Exploited discography

References

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  4. ^ a b c d e Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
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  14. ^ a b c Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
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  22. ^ a b Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
  23. ^ a b Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
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  33. ^ On Stage - The Exploited - AllMusic
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  45. ^ Killer Blanks [Bonus Tracks] - Blanks 77 - Allmusic
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Other sources

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