Sheikh Zainuddin
Sheikh Zainuddin | |
|---|---|
| File:Saras by Sheikh Zainuddin.jpg Saras by Zainuddin | |
| Born | |
| Known for | Illustrations of fauna and flora |
| Patron | Elijah Impey |
Sheikh Zainuddin or Shaikh Zain-al-Din (fl. 1777–1782) was an Indian artist who moved from Patna to Calcutta and worked for patronage in British Raj.[1] His works blending Mughal and Western painting techniques belonged to the Company style of painting.[2]
Career
[edit | edit source]In the late eighteenth century, he worked under Mary Impey, the wife of Sir Elijah Impey, Chief Justice of Calcutta Supreme Court.[2] Among the three artists she brought from Patna to make realistic sketches of birds and animals of her private menagerie, Zainuddin was the foremost. Zainuddin combined English botanical illustration with Mughal Patna Qalam style.[2] In his paintings, modern critics appreciate the way a "bright, simple background offsets the keenly wrought details of plants and animals".[3]
From 1777 to 1782, Zainuddin worked on Whiteman art paper manufactured in England for his transparent watercolor paintings. For his tinted drawings and sketches, he employed meticulous calligraphic strokes reminiscent of the works of Mughal Court artist Ustad Mansur. The Ashmolean Museum has some of his art.[1]
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Chestnut-tailed starling on a Clerodendrum sp.
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Harpactes erythrocephalus female on a melastome
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Psilopogon zeylanicus on a Polyalthia
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Anastomus oscitans with snail
Exhibitions
[edit | edit source]Zainuddin's work was first exhibited in 2016 at the Royal Albert Memorial Museum in Exeter, as part of the Flower Power exhibition. At that point his name, written in an old hand-writing was taken to be "Jack Joyenadey." Since then, researchers working together with the museum staff, have deciphered his name.[4] The updated exhibition is online. Subsequently, Zainuddin's work was exhibited in 2019 at London's Wallace Collection, along with that of 17 other artists commissioned by the British East India Company. The director of the Wallace Collection, Xavier Bray, told Smithsonian that in Zainuddin's paintings, "Everything is incredibly precise and beautifully observant."[3]
See also
[edit | edit source]References
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External links
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