Sandham Memorial Chapel
| Sandham Memorial Chapel | |
|---|---|
 Sandham Memorial Chapel, Burghclere. | |
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| General information | |
| Location | Burghclere, Hampshire, England |
| Owner | National Trust |
| Design and construction | |
| Architect | Lionel Godfrey Pearson |
| Website | |
| www | |
Listed Building – Grade I | |
| Official name | Sandham Memorial Chapel |
| Designated | 18 May 1984 |
| Reference no. | 1339741 |
Sandham Memorial Chapel is in the village of Burghclere, Hampshire, England. It is a Grade I listed,[1] 1920s decorated chapel, designed by Lionel Pearson. The chapel was built to accommodate a series of paintings by the English artist Stanley Spencer. It was commissioned by Mary and John Louis Behrend (1881–1972) as a memorial to Mary's brother, Lieutenant Henry Willoughby Sandham who died of illness contracted in Macedonia after the First World War. The chapel is surrounded by lawns and orchards, with views of Watership Down.
It is run by the National Trust and is open to the public.[2]
Paintings
[edit | edit source]Spencer's series of seventeen paintings was inspired by his own experiences during the First World War, in which he served as an orderly with the Royal Army Medical Corps, first at Beaufort War Hospital in Bristol, and then on the Macedonian front, where he was subsequently transferred to the infantry.[3] He was influenced by Giotto’s Arena Chapel murals in Padua. He wanted to paint frescoes too, but the environmental conditions were not appropriate. Upon being commissioned to paint the murals for the chapel, Spencer was heard to exclaim “What Ho, Giotto!” [4] The subsequent paintings were commissioned in 1923, with Spencer moving to Burghclere in 1926 to work in situ. The series was completed in 1932. It is dominated by the Resurrection scene behind the altar, in which dozens of British soldiers lay the white wooden crosses that marked their graves at the feet of a distant Christ. The series chronicles Spencer's everyday experiences of the war rather than any scenes of action. When the art historian R. H. Wilenski saw the recently completed sequence, he wrote of his sense "that every one of the thousand memories recorded had been driven into the artist's consciousness like a sharp-pointed nail".[5]
Name
[edit | edit source]The Chapel is consecrated as The Oratory of All Saints and only became officially recognised by its colloquial name Sandham Memorial Chapel following the National Trust's takeover of the property. Spencer would refer to it as his "Holy-Box", whilst the architect and patrons would privately refer to it as Spencer's "God-Box". Meanwhile, John and Mary Behrend's children pejoratively called it the "biscuit factory", in response to its "municipal" characteristics.[6]
References
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- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- ^ Gough (2006). Journey to Burghclere. p.73.
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- ^ Haycock (2009). A Crisis of Brilliance. p. 331.
- ^ Bromwell (2014). The God-Box of Burghclere, p. 58.
Bibliography
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- Bromwell, Tom (2014). The God-Box of Burghclere. National Trust Historic Houses and Collections Annual, Apollo Magazine
External links
[edit | edit source]
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