Richard Zenith
Richard Zenith (born 23 February 1956, Washington, D.C.) is an American-Portuguese writer and translator, winner of the Pessoa Prize in 2012.
Life
[edit | edit source]Richard Zenith graduated from the University of Virginia in 1979.[1] He has lived in Colombia, Brazil, France and, since 1987, in Portugal. He is a naturalised Portuguese citizen.[2][3]
Zenith is widely considered[4] to be one of the foremost experts on the Portuguese writer Fernando Pessoa.[5] Zenith has translated many of Pessoa's works into English, including The Book of Disquiet, and he has written extensively about Pessoa's poetry, prose and life. He has also translated Carlos Drummond de Andrade, Antero de Quental, Sophia de Mello Breyner, Nuno Júdice, António Lobo Antunes, and Luís de Camões, amongst other Portuguese-language writers.[6]
Zenith curated, together with Carlos Felipe Moisés, the much acclaimed exhibition Fernando Pessoa, Plural como o Universo, dedicated to Pessoa's life and heteronyms, at Lisbon's Gulbenkian Foundation,[7] São Paulo's Museum of Portuguese Language[8][9] and Rio de Janeiro's Centro Cultural Correios.[10]
In 2021 Zenith published Pessoa: An Experimental Life, a 1,055-page biography.[11] In the United States it was published as Pessoa: A Biography.
Awards
[edit | edit source]- 1987 – Guggenheim Fellowship[12]
- 1999 – PEN Award for Poetry in Translation
- 2006 – Harold Morton Landon Translation Award
- 2012 – Prémio Pessoa
- 2022 – Finalist for Pulitzer Prize for Biography or Autobiography for his book Pessoa: A Biography[13]
Works
[edit | edit source]Translations
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Biography
[edit | edit source]- Pessoa: An Experimental Life (2021). Allen Lane (London), released in the U.S. as Pessoa: A Biography, W. W. Norton (New York).
Reviews
[edit | edit source]As a result, there can be no definitive edition of The Book of Disquiet. Written on and off over a period of more than 20 years, seemingly beginning as a book by another of Pessoa's heteronyms, Vicente Guedes, and slowly evolving into the imaginary testament of Soares, it is a dishevelled album of thoughts, sensations and imagined memories that can never be fully deciphered. Any version is bound to be a construction. In his notes on the text, Richard Zenith recognises this and suggests that readers "invent their own order or, better yet, read the work's many parts in absolutely random order". Despite this disclaimer, readers of Zenith's edition will find it supersedes all others in its delicacy of style, rigorous scholarship and sympathy for Pessoa's fractured sensibility.[14]
References
[edit | edit source]- ^ "Richard Zenith", Contemporary Authors Online, Gale, 2009.
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