Panj peer

File:Depiction of Heer and Ranjha sitting before the panj pir, from the title page of Qissa Hir Jog Singh, lithograph, Lahore, 1882.jpg

Depiction of Heer and Ranjha sitting before the panj pir, from the title page of Qissa Hir Jog Singh, lithograph, Lahore, 1882

Panj peer (or panj pīr), meaning the five saints in Persian, were Islamic saints who overlapped in late 12th and early 13th centuries in northwestern India. There was also a similar tradition in Rajasthan, known as Panch Pir, whose quintet were subsequently Rajputized.

Sufis

The Islamic panj pirs were:

Sufi panj peers

No.	Name	Portrait	Lifespan	Region	Reference(s)
1.	Mu'in al-Din Chishti	File:Bichitr. Shaykh Mu'in al-Din Chishti Holding a Globe, detail of miniature from Minto Album, c. 1610-18, India, Chester Beatty Library, Dublin.jpg	1143 – 1236	Ajmer, Rajasthan
2.	Qutb al-Din Bakhtiyar Kaki	File:Detail of Khawaja Qutub-ud-din from a Guler painting showing an imaginary meeting of Sufi saints.jpg	1173 – 1235	Mehrauli, Delhi
3.	Farid al-Din Ganjshakar	File:Painting of a haloed Baba Farid seated on a carpet holding prayer-beads.jpg	1179 – 1266	Pakpattan, Punjab
4.	Baha al-Din Zakariya		1182 – 1268	Multan, Punjab
5.	Lal Shahbaz Qalandar		1177 – 1274	Sehwan, Sindh

The above Sufi saints are mentioned (alongside Nizam al-Din Awliya) in the great love-epic of the Sufi poet sayyid Waris Shah, Heer Ranjha, which opens with an invocation to them.

Rajasthan

The concept of panch pir in Rajasthan likely derived from the earlier concept of punch pir in Punjab and other parts of northwestern India. Which figures were included in the panch pir quintet varied by region, however Goga was usually always included amongst the five. In Rajasthan, there panch pir were:

Rajasthani panch pirs

No.	Name	Portrait
1.	Gogaji	File:Illustration of Gogaji, based on a rock sculpture at Mandore, published in 'Annals and Antiquities of Rajasthan' (vol. II).jpg
2.	Pabuji	File:Illustration of Pabuji, based on a rock sculpture at Mandore, published in 'Annals and Antiquities of Rajasthan' (vol. II).jpg
3.	Ramdevji	File:Illustration of Ramdeo Pir, based on a rock sculpture at Mandore, published in 'Annals and Antiquities of Rajasthan' (vol. II).jpg
4.	Harabhuji	File:Illustration of Harbhuji, based on a rock sculpture at Mandore, published in 'Annals and Antiquities of Rajasthan' (vol. II).jpg
5.	Mallinathji	File:Illustration of Rawal Mallinath, based on a rock sculpture at Mandore, published in 'Annals and Antiquities of Rajasthan' (vol. II).jpg
Sometimes included:
	Meha Mangali (Mehoji)	File:Illustration of the folk-hero Mehaji Mangalia, based on a rock sculpture at Mandore, published in 'Annals and Antiquities of Rajasthan' (vol. II).jpg

These five (or six) figures were folk-deities. Some of these figures were not originally perceived as Rajput heroes and became Rajputized later-on after the 18th century. Originally, figures such as Gogaji, Pabuji, Ramdetji, and Harabhuji were originally associated with the downtrodden sections of society, particularly peasants and pastoralists, but they became appropriated as Rajput figures and their identities were usurped by the ruling-classes.

See also

• Panj Pyare