May Vale
May Vale | |
|---|---|
| File:May Vale PD photo.jpg | |
| Born | 18 November 1862 Ballarat, Victoria, Australia |
| Died | 6 August 1945 (aged 82) Melbourne, Victoria, Australia |
| Known for | Painting, Enamelling |
| Movement | Australian Impressionism |
| Spouse |
Alexander Gilfillan
(m. 1908–1940) |
May Vale (18 November 1862 – 6 August 1945) was an Australian painter and enamelist. She was reportedly the first women to be elected a member of the Buonarotti Society.[1]
Biography
[edit | edit source]Vale was born in Ballarat, the daughter of the Hon. W.M.K. Vale, on 18 November 1862.[2]
Training
[edit | edit source]Her family moved to Melbourne 1872 then to London, England in 1874,[3] where Vale was educated at the South Kensington School (Royal College of Art) in London.
During 1879-1889, after returning to Melbourne, she attended the National Gallery Art Schools,[3] studying under Oswald Rose Campbell,[1] George Folingsby and Frederick McCubbin.[3][4] Student colleagues at the school included Jane Sutherland and Clara Southern.[1] Returning to London, she enrolled at the Linton School under Sir James Linton P.R.I. and Henry J. Stock R.I. then at Académie Julian in Paris for six months, under Jules Lefebvre and Tony Robert-Fleury.
Australia
[edit | edit source]Back in Melbourne where her address in the 1890s was "Mayfield", Church Street, Abbotsford, Vale exhibited with the Victorian Artists Society in nearby East Melbourne from 1892. In 1893 opened a studio at 119 Swanston Street where she gave art lessons and worked as a commissioned portrait painter.[3][1] She was said to be the first woman to join the Buonarotti Society,[1] though there are other claimants including Alice Cherry (née Brotherton) in 1883,[5] and she also joined the Yarra Sculptors' Society.[1]
In 1895 Vale set up an art school in the Flinders Buildings, 304 Flinders Street, where she taught plein air painting. One of her students was Alice Marian Ellen Bale.[1] Moving to Sydney in 1899, she exhibited with the Royal Art Society of New South Wales.
To study enamelling May returned to London's Chelsea Polytechnic Institute.[3] in about 1906 and there met and married Alex Gilfillan on 20 August 1908.
Meanwhile in the 1907 Australian Exhibition of Women's Work her 1904 oil Spring at Mayfield, was shown. At the Society of Artists Exhibition, Sydney in 1919 she displayed enamelware brooches in techniques learned at the Chelsea Polytechnic.
Style
[edit | edit source]Throughout her life Vale exhibited at venues including the Victorian Artists Society, the Women's Art Club, the Athenaeum,[3] and held a one-woman show in 1927 at Queens Hall.[1] Her intimist interpretation of Heidelberg School impressionist techniques is compared favourably with that of other women artists Jane Sutherland, Clara Southern and Jane Price.
Legacy
[edit | edit source]Vale died on 6 August 1945 in Melbourne,[3] pre-deceased by her husband. Her works are in the collections of the National Gallery of Victoria, the Art Gallery of New South Wales.[3]
Gallery
[edit | edit source]-
Faith learning her lesson, 1898
-
The Orchard (Spring at Mayfield), c. 1904
-
Girl Reading
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References
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External links
[edit | edit source]
- images of May Vale's paintings on Australian Art Auction Records
- Women of the Heidelberg School, by Andrew MacKenzie, sponsored by the Victorian Government
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