Maxime Moses Alexandre

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Maxime Moses Alexandre (1899–1976) was a French poet associated with Surrealism.

Maxime Alexandre was born into a liberal Jewish family in Wolfisheim. There his first language was German, although his family moved to Lausanne during World War I. There he learnt French, and was introduced to Romain Rolland by René Schickelé.[1]

Alexandre was active in the surrealist movement from its inception in 1924 until 1929, when he followed Louis Aragon out of the group. He contributed to both La Révolution surréaliste and Le Surréalisme au service de la révolution.[2] A Communist, he also worked for the French Communist Party newspaper L'Humanité. He was imprisoned when World War II started.[1]

In 1949 Alexandre converted to Roman Catholicism, though he later left the church in reaction to what he felt was the church's anti-Semitism.[1]

Works

[edit | edit source]
  • Les dessins de la liberté. 1927
  • Le Corsage, 1931
  • Mythologie personnelle, 1933
  • Le Mal de nuit, 1935
  • Sujet a l'amour, 1937
  • Cassandre de Bourgogne, 1939
  • Les yeux pour pleurer, 1945
  • Le Juif errant, 1946
  • Durst und Quelle, 1952
  • La Peau et les os, 1956
  • L'enfant de la terre, 1965. With illustrations by Jean Arp.
  • Mémoires d'un surréaliste, 1968
  • L'oiseau de papier, 1973. With illustrations by Jean Arp.
  • Journal 1951–1975, 1976

References

[edit | edit source]
  1. ^ a b c Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
  2. ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).

Jean Rousselot. Dictionnaire de la poesie francaise contemporaine 1968, Auge, Guillon, Hollier -Larousse, Mooreau et Cie.-Librairie Larousse, Paris Lua error in Module:Authority_control at line 153: attempt to index field 'wikibase' (a nil value).