Lydia Davis
Lydia Davis | |
|---|---|
Davis in 2017 | |
| Born | July 15, 1947 |
| Occupation | Writer |
| Alma mater | Barnard College |
| Period | 1976–present |
| Genre | Short story, novel, essay |
| Spouses |
Alan Cote |
| Children | 2 |
| Relatives | Robert Gorham Davis (father) Hope Hale Davis (mother) Claudia Cockburn (half-sister) |
Lydia Davis (born July 15, 1947) is an American short story writer, novelist, essayist, and translator from French and other languages, who often writes very short stories.[1][2][3] Davis has produced several new translations of French literary classics, including Swann's Way by Marcel Proust and Madame Bovary by Gustave Flaubert.
Early life and education
[edit | edit source]Davis was born in Northampton, Massachusetts, on July 15, 1947.[4] She is the daughter of Robert Gorham Davis, a critic and professor of English, and Hope Hale Davis, a short-story writer, teacher, and memoirist.[5] Davis initially "studied music—first piano, then violin—which was her first love."[6] On becoming a writer, Davis has said, "I was probably always headed to being a writer, even though that wasn't my first love. I guess I must have always wanted to write in some part of me or I wouldn't have done it."[7] From fifth to eighth grade, she attended The Brearley School in New York City. She attended high school at The Putney School, graduating in 1965. She studied at Barnard College, and at that time she mostly wrote poetry.[6]
In 1974, Davis married Paul Auster, with whom she had a son named Daniel (1977–2022).[5][8] Auster and Davis later divorced; Davis is now married to the artist Alan Cote,[9] with whom she has another son, Theo Cote. She is a professor emerita at the University at Albany, SUNY,[10] and was a Lillian Vernon Distinguished Writer-in-Residence at New York University in 2012.[11]
Career
[edit | edit source]Davis has published six collections of fiction, including The Thirteenth Woman and Other Stories (1976) and Break It Down (1986), a finalist for the PEN/Hemingway Award. Her most recent collections were Varieties of Disturbance, a finalist for the National Book Award published by Farrar, Straus and Giroux in 2007, and Can't and Won't (2013). The Collected Stories of Lydia Davis (2009) contains all her short fiction up to 2008.
Davis has also translated Proust, Flaubert, Blanchot, Foucault, Michel Butor, Michel Leiris, Pierre Jean Jouve and other French writers,[4] as well as Belgian novelist Conrad Detrez and the Dutch writer A. L. Snijders.
She has written one novel, The End of the Story, which was published in 1995 by Farrar, Straus and Giroux.[12]
Reception and influence
[edit | edit source]Davis has been described as "the master of a literary form largely of her own invention."[13] Some of her "stories" are only one or two sentences. Davis has compared these works to skyscrapers in the sense that they are surrounded by an imposing blank expanse.[14] Michael LaPointe writing in the LA Review of Books goes so far as to say while "Lydia Davis did not invent flash fiction, ... she is so far and away its most eminent contemporary practitioner".[3] Her "distinctive voice has never been easy to fit into conventional categories," writes Kasia Boddy in the Columbia Companion to the 21st Century Short Story. Boddy writes: "Davis's parables are most successful when they examine the problems of communication between men and women, and the strategies each uses to interpret the other's words and actions."[15] Of contemporary authors, only Davis, Stuart Dybek, and Alice Fulton share the distinction of appearing in both The Best American Short Stories and The Best American Poetry series.
In October 2003, Davis received a MacArthur Fellowship.[16] She was elected a fellow of the American Academy of Arts and Sciences in 2005.[17] Davis was a distinguished speaker at the 2004 &NOW Festival at the University of Notre Dame.[18] Davis was announced as the winner of the 2013 Man Booker International Prize on 22 May 2013.[19] The official announcement of Davis's award on the Man Booker Prize website described her work as having "the brevity and precision of poetry." The judging panel chair Christopher Ricks commented, "There is vigilance to her stories, and great imaginative attention. Vigilance as how to realise things down to the very word or syllable; vigilance as to everybody's impure motives and illusions of feeling."[20] Davis won £60,000 as part of the biennial award.[21] She is widely considered "one of the most original minds in American fiction today."[22]
She declined to sell her book Our Strangers on Amazon.[23][24]
Her collection The Collected Stories of Lydia Davis was listed as one of the "100 Best Books of the 21st Century" by The New York Times.[25]
Awards
[edit | edit source]- 1986 PEN/Hemingway Award finalist, for Break It Down[4]
- 1988 Whiting Award for Fiction[5]
- "St. Martin," a short story that first appeared in Grand Street, was included in The Best American Short Stories 1997.
- 1997 Guggenheim Fellowship
- 1998 Lannan Literary Award for Fiction[4]
- 1999 Chevalier de l'Ordre des Arts et des Lettres for fiction and translation.[16]
- "Betrayal," a short-short story that first appeared in Hambone, was included in The Best American Poetry 1999
- "A Mown Lawn," a short-short-story that first appeared in McSweeney's, was included in The Best American Poetry 2001
- 2003 MacArthur Fellows Program[16]
- 2007 National Book Award Fiction finalist, for Varieties of Disturbance: Stories[26]
- "Men," a short-short story that first appeared in 32 Poems, was included in The Best American Poetry 2008
- 2013 American Academy of Arts and Letters' Award of Merit Medal[27]
- 2013 Philolexian Society Award for Distinguished Literary Achievement
- 2013 Man Booker International Prize[19]
- 2020 PEN/Malamud Award[28]
Selected works
[edit | edit source]- The Thirteenth Woman and Other Stories, Living Hand, 1976[4]
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- Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value). (republished in Can't and Won't)
- Lydia Davis: Documenta Series 078. Hatje Cantz. 2012. Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
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- Into the Weeds. Yale University Press, 2025. Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
Anthologies
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Selected translations
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- Attilio Colombo (1979). Fantastic Photographs. Translator Lydia Davis. Pantheon Books.
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- Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value). (Davis translated the 19-page afterword by Maurice Blanchot, "Joubert et l'espace.")
- Conrad Detrez (1984). A Weed for Burning. Translator Lydia Davis. Harcourt Brace Jovanovich.
- Michel Butor (1986). The Spirit of Mediterranean Places. Translator Lydia Davis. Marlboro Press.
- Conrad Detrez (1986). Zone of Fire. Translator Lydia Davis. Harcourt Brace Jovanovich.
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- Maurice Blanchot (1987). The Last Man. Translator Lydia Davis. Columbia University Press.
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- Michel Leiris (1989). Brisées: Broken Branches. Translator Lydia Davis. North Point Press.
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- Michel Leiris (1991) The Rules of the Game: Scratches. Translator Lydia Davis. Paragon House.
- Pierre Jean Jouve (1993). Hélène. Translator Lydia Davis. Marlboro Press.
- Michel Leiris (1997) The Rules of the Game: Scraps. Translator Lydia Davis. Johns Hopkins University Press.
- Michel Leiris (2017) The Rules of the Game: Fibrils. Translator Lydia Davis. Yale University Press.
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- Snijders, A.L. (2021). Night Train. Translated by Lydia Davis. New Directions.
References
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- ^ Leslie, Nathan. "That 'V' Word.". Field Guide to Writing Flash Fiction. Ed. Masih, Tara L. Brookline, MA, USA: Rose Metal Press, 2009, 8-9; 11-14.
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Further reading
[edit | edit source]- Evans, Jonathan, The Many Voices of Lydia Davis: Translation, Rewriting, and Intertextuality, Edinburgh: Edinburgh University Press, 2016.
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External links
[edit | edit source]- Finding aid to Lydia Davis papers at Columbia University. Rare Book & Manuscript Library.
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- "Fear" and four other stories, Conjunctions, Five Stories, by Lydia Davis | Conjunctions — The forum for innovative writing
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- "Negative Emotions." Coffin Factory (short story)
- The Believer interview with Sarah Manguso
- Samuel Johnson Is Indignant – TMO Meets Lydia Davis
- BOMB interview with Francine Prose Archived 2011-02-09 at the Wayback Machine
- Gigantic interview with James Yeh
- "Q&A with Lydia Davis", The Boston Globe, Kate Bolick, April 29, 2007
- "2007 National Book Award Fiction Finalist Interview With Lydia Davis", National Book Foundation Archived 2013-08-31 at the Wayback Machine
- "Structure Is Structure", Poetry Foundation
- "A Conversation with Lydia Davis", Web Del Sol
- Audio-files @ PENNsound listen to Lydia Davis read from her work
- Author Page at Internationales Literatufestival Berlin Davis was a Guest of the ILB ( Internationales Literatufestival Berlin / Germany ) in 2001
- "Lydia Davis", Penn Sound
- Lydia Davis: Reading 'Goodbye Louise' Video by Louisiana Channel
- Profile at The Whiting Foundation
- MacArthur Foundation
- SUNY Albany
- Lannan Foundation
- Kelly House Writers
- New Yorker - Long Story Short
- MacMillan Publishers
- Penguin Random House
- Encyclopedia Britannica
- Poetry Foundation
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- 1947 births
- Living people
- 32 Poems people
- 20th-century American novelists
- 20th-century American short story writers
- 21st-century American short story writers
- American women short story writers
- MacArthur Fellows
- University at Albany, SUNY faculty
- Fellows of the American Academy of Arts and Sciences
- Translators of Marcel Proust
- French–English translators
- Novelists from Massachusetts
- Barnard College alumni
- American women novelists
- 20th-century French women writers
- 20th-century American translators
- 21st-century American women writers
- PEN/Malamud Award winners