Lu Duble
Lu Duble | |
|---|---|
| A smiling white woman wearing a hat and net veil. Lu Duble, from a 1940 newspaper. | |
| Born | Lucinda Christine Davies January 21, 1896 Oxford |
| Died | August 8, 1970 (aged 74) New York |
| Other names | Lucinda Duble, Lu Duble Geiffert |
| Awards | Guggenheim Fellowship (1937) |
Lu Duble (January 21, 1896 – August 8, 1970), born Lucinda Davies, was an English-born American artist. She was awarded a Guggenheim Fellowship in 1937 and 1938, to study art and sculpture in Haiti.
Early life and education
[edit | edit source]Lucinda Christine Davies was born in 1896, in Oxford, England, the daughter of John Walter Davies and Marianne Mogridge Davies. Her father was an author, editor, and journalist.[1] Her mother's grandfather was author George Mogridge.[2] She moved to the United States with her parents in 1903, as a young child. Davies trained at the Art Students League and Cooper Union in New York City. Her mentors included Alexander Archipenko, Jose de Creeft, and Hans Hofmann.[3]
Career
[edit | edit source]From 1918 to 1937, Duble was head of the sculpture program at Bennett Junior College in Millbrook, New York.[4] She also taught sculpture classes at Brearley School, Dalton School, Greenwich House, and Montclair Art Museum.[2] She was awarded a Guggenheim Fellowship in 1937 and 1938, to study art and sculpture in Haiti.[5][6] Another travel fellowship, from the Institute of International Education, sent her to Mexico from 1942 to 1944, where she made sculptures[7] and studied Mayan art.[8]
Duble's best known works were human figures or heads, worked in stone, cement, and terracotta.[7] Her sculpture, "Calling the Loa, Haiti" won the Anna Hyatt Huntington Prize in 1938,[9] and "Last Migration" won the Speyer Prize in 1952.[10] She had work in the fiftieth anniversary show of the National Association of Women Painters and Sculptors in 1939.[11] In 1940, Duble showed her sculptures from Haiti at the Dayton Art Institute;[12] local arts editor Merab Eberle found the show's "voodooistic" theme disturbing, but agreed that Duble had "rhythmic sense and no small degree of ability to impart power."[13] She was part of a three-woman show, at Grand Central Art Galleries in 1947, with Cornelia Chapin and Marion Sanford.[14] She "tackles themes that are deeply felt, in forms that are impressionistically modeled and full of dramatic tensions," wrote a Philadelphia reviewer in 1950, adding "Lu Duble's work must be respected but can't always be enjoyed."[15]
She was a member of the National Association of Women Painters and Sculptors from 1937,[16] a fellow of the National Sculpture Society, elected in 1937,[17] and a member of the National Academy of Design from 1942.[18][19] She was part of a group of women artists called informally "the Guild ladies", including Dorothy Dehner, Helen Wilson, Rhys Caparn and Helena Simkhovitch.[20] Among her students were artists Ray Eames[21] and Mercedes Matter.[22]
Personal life
[edit | edit source]Davies married twice, first in 1917 to Jesse Clyde Duble, and second to Alfred Geiffert Jr., a landscape architect. She was widowed when Geiffert died in 1957.[23] She spent summers in Woodstock, New York in her later years. She died in 1970, in Woodstock, aged 74 years.[8] She was survived by her sister, Gwen, also an artist.[10]
References
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- ^ Jules Heller and Nancy G. Heller, eds., North American Women Artists of the Twentieth Century (Routledge 2013): 1676-1677. Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
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- ^ a b "Lu Duble is Dead; Sculptor was 74" New York Times (August 9, 1970): 65.
- ^ A. Z. Kruse, "Art: Women Painters and Sculptors Hold Fiftieth Exhibit" Brooklyn Daily Eagle (August 13, 1939): 29. via Newspapers.com
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- ^ Daniel Belasco, "Between the Waves: Feminist Positions in American Art, 1949-1962" (PhD dissertation, New York University, 2008): 156.
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