Last Stop: Rocafort St.

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Last Stop: Rocafort St.
Film poster
SpanishEstación Rocafort
Directed byLuis Prieto
Screenplay by
  • Iván Ledesma
  • Ángel Agudo
  • Luis Prieto
Produced by
Starring
CinematographyMarc Miró
Edited byFederico Conforti (lead editor) Beatriz Colomar (additional editor)
Music byNami Melumad
Production
companies
  • Showrunner Films
  • Nostromo Pictures
  • Estación Rocafort Película AIE
Distributed byFilmax
Release date
  • 6 September 2024 (2024-09-06)
CountrySpain
LanguageSpanish

Last Stop: Rocafort St. (Spanish: Estación Rocafort) is a 2024 Spanish horror thriller film directed by Luis Prieto starring Natalia Azahara alongside Javier Gutiérrez and Valèria Sorolla.

Plot

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After landing a night shift job in the Barcelona Metro and starting a relationship with co-worker Cris, Laura discovers the many strange deaths happening at the station she works for, Rocafort station, teaming up with troubled former cop Román in her search for truth.[1][2]

Cast

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Production

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The screenplay was written by Iván Ledesma (es), Ángel Agudo, and Luis Prieto.[5] The film was produced by Showrunner Films and Nostromo Pictures and it had the participation of Netflix, Mogambo, and CreaSGR.[6] Shooting locations included Barcelona and Las Palmas de Gran Canaria.[7][8]

Release

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The film was released theatrically in Spain on 6 September 2024 by Filmax.[6]

Reception

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Jordi Batlle Caminal of Fotogramas rated the film 3 out of 5 stars, writing that it is "an uneven film, but it possesses an contagious rapture".[9]

Toni Vall of Cinemanía rated the film 3 out of 5 stars, deeming it to be "an entertaining film", [but] "indebted to a tad too many things".[10]

Quim Casas of El Periódico de Catalunya rated the film 2 out of 5 stars, deeming it to be "a film that is interesting in its approach, but limited in its results".[11]

Ekaitz Ortega of HobbyConsolas gave the film 56 points ('so-so'), positively mentioning Azahara and Sorolla's performances as well as some punctual horror scenes, while negatively citing a number of clichés and that the plot displays "significant pacing problems".[12]

See also

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References

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