Kudisai
| Kudisai | |
|---|---|
![]() Poster | |
| Directed by | Jayabharathi |
| Written by | D. Ramamoorthy |
| Based on | Kudisai by D. Ramamoorthy |
| Starring |
|
| Cinematography | Robert–Rajasekar |
| Edited by | D. Raj |
| Music by | G. Kamesh |
Production company | Juvaala |
Release date |
|
| Country | India |
| Language | Tamil |
Kudisai (transl. The Hut) is a 1979 Indian Tamil-language film directed by Jayabharathi. It is the first Tamil film made through crowdfunding.[1] The film, based on the novel of the same name written by Jayabharathi's father D. Ramamoorthy, was released on 30 March 1979.
Plot
[edit | edit source]This article needs a plot summary. (April 2023) |
Cast
[edit | edit source]- Dhandapani as the family head
- Kamala Kamesh as Chinnamma
- Raji as Aandal
- Delhi Ganesh as Parthasarathy
- Chellappa as the elder brother
- Kala Krishnan as the washerwoman
Production
[edit | edit source]Kudisai marked the directorial debut of Jayabharathi. It is based on the novel of the same name written by Jayabharathi's father Ramamoorthy for the magazine Kanayazhi.[2] Jayabharathi undertook a crowdfunding route to raise ₹90,000 (equivalent to ₹2.3 million or US$27,000 in 2023)[3] to distribute the film for screening, and to generate investment, he sold donation tickets and conducted programmes at government colleges while Rajasekhar, a friend of Jayabharathi, helped him arrange a camera on loan. Singer Ceylon Manohar also helped by conducting shows and a farmer in Padi Kuppam provided him with food during the shooting.[4][1] This was the debut film of Robert–Rajasekar as cinematographers.[5] The film starred newcomer Dhandapani in the lead role.[2]
Soundtrack
[edit | edit source]Unlike many contemporaneous Indian films, Kudisai had no songs,[6] and the background music was composed by G. Kamesh, Kamala's husband.[1]
Release
[edit | edit source]Kudisai was released on 30 March 1979. As of March 2022, it is preserved at the National Film Archive of India.[1]
Critical reception
[edit | edit source]Anna lauded the film for its innovativeness, and absence of Tamil cinema cliches like glossy makeup, songs and dance sequences.[7]
See also
[edit | edit source]References
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