Jim Mortram
Jim A. Mortram (born 10 September 1971)[1] is a British social documentary photographer and writer, based in Dereham, Norfolk.[2][3] His ongoing project using photography and writing, Small Town Inertia, records the lives of a number of disadvantaged and marginalised people living near to his home,[4] in order to tell stories he believes are under-reported.[5] This work is published on his website,[5] in a few zines published in 2013,[6] and in the book Small Town Inertia (2017).
Small Town Inertia
[edit | edit source]Mortram began the Small Town Inertia website in 2006 with the "Market Town" stories. Its name is a reference to the market town of Dereham, where he lives, fifteen miles west of the city of Norwich in Norfolk. Through photography, his writing and the subject's own words, Mortram records the lives of the disadvantaged and marginalised,[3][4] making repeated visits with a number of people living within three miles of his home.[5] Small Town Inertia tells stories of "isolation, poverty, drug abuse, homelessness, self-harm, mental illness, juvenile crime, and epilepsy",[5][7] that Mortram believes are otherwise under-reported.[5]
Dave Stelfox wrote in The Guardian that "Mortram's rich, black-and-white images possess a timeless quality that invites easy comparison with the classic documentary work of such British photographers as Chris Steele Perkins, Paul Trevor and Chris Killip."[2]
Publications
[edit | edit source]Publications by Mortram
[edit | edit source]- Small Town Inertia. Liverpool: Bluecoat. With a poem by Jamie Thrashivoulou, "A Privatised Map of Deprivation", and essays by Paul Mason, "A Memento of the Dark Times", and Lewis K. Bush, "A War of Poverty". Hardback, 2017; Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).. Paperback, 2018; Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value)..
Zines by Mortram
[edit | edit source]- Electric Tears and All Their Portent. Southport: Café Royal, 2013. Edition of 150 copies.[n 1]
- Living with Epilepsy. Southport: Café Royal, 2013. Edition of 150 copies.[n 2]
- Small Town Inertia: Diary Entries. Southport: Café Royal, 2013. Edition of 150 copies. With a short text by George Szirtes.[n 3]
- Second edition. Southport: Café Royal, 2022.
- Small Town Inertia: Diary Entries 2. Southport: Café Royal, 2022. With a short essay by Michael Sheen.[n 4]
Publications with contributions by Mortram
[edit | edit source]- Professional Photography: The New Global Landscape Explained. Oxford: Focal, 2014. By Grant Scott. Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).. With contributions from Mortram, Alicia Bruce, Peter Dench, Chris Floyd, and Niall McDiarmid.
Solo exhibitions
[edit | edit source]- Small Town Inertia, Bank Street Arts, Sheffield, 2013;[8][9][10] Photoville, New York City, 2013;[11] Red Light Gallery, Norwich, 2013;[citation needed] Arts Centre, Edge Hill University, Liverpool, 2014;[12] Camden Image Gallery, Camden, London, 2014;[13] Side Gallery, Newscastle, 2019[14][15]
Awards
[edit | edit source]- 2013: one of twenty photographers credited by the British Journal of Photography as "Ones to Watch" in 2013[7]
Notes
[edit | edit source]- ^ Electric Tears and All Their Portent in the Café Royal Books archive.
- ^ Living with Epilepsy in the Café Royal Books archive.
- ^ Small Town Inertia: Diary Entries in the Café Royal Books archive.
- ^ Small Town Inertia: Diary Entries 2 in the Café Royal Books archive.
References
[edit | edit source]- ^ "About"[better source needed]. Facebook. Accessed 23 April 2017
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External links
[edit | edit source]- Small Town Inertia website
- Small Town Inertia blog on Tumblr
- Mortram at Documenting Britain
- Small Town Inertia: portraits of a nation in need – gallery of photographs at The Guardian
- What it’s like to live on the fringes of British society: Small Town Inertia – Mortram describes how he works on Small Town Inertia, for Huck magazine, 2014
- Mortram interview with United Nations of Photography, 2016 (16 minute video)
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