Introduction and Variations on a Theme by Mozart
Introduction and Variations on a Theme by Mozart, Op. 9, is one of Fernando Sor's most famous works for guitar.[1][2][3]: 53, 70 [4][5] It was first published in London in 1821 and dedicated to Sor's brother Carlos.[3]: 45
Editions
[edit | edit source]The title page of the first edition includes the line Exécutées par l'Auteur au Concert donné à l'Ecole Rle de Musique [As performed by the author, at the Royal School of Music]. The French edition was published by Antoine Meissonnier, dated roughly in the same period, and had four instead of the original five variations, no coda, and some differing notes.[6] It is thought that this version could have been a simplification of the original work. However, in 1826 or 1827, Meissonnier brought out another version, this one identical to the London first edition.[3]: 70–71
Composition
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This piece embodies Fernando Sor's best characteristics as a composer, requiring great technique.[4] It is a frequently performed piece that serves as a "testing ground for every aspiring guitarist"[1] As Brian Jeffrey, author of the largest Sor biography to date, wrote of this piece and Op. 7, the Folies d'Espagne,[a] "no space is wasted and the music devotes itself not to 'guitaristic' effects but only to itself".[3]: 41
The work is based on a melody from Mozart's opera The Magic Flute. The opera was first performed in Vienna, 1791, and in German, while the first performances in Italian took place in 1794, so Sor could have feasibly written the piece any time since then. However, it is more likely that he was inspired to write the piece when the first major production was premiered in England in May 1819, when Sor was in the area.[3]: 71
The theme and the variations are based on one that was used in numerous composer's arrangements, some being by the flutist Drouet, by Henri Herz, and by Mikhail Glinka. It is the theme played near the end of act 1 as Papageno charms the slaves of Sarastro with his magic chimes. The theme is called "Das klinget so herrlich",[7][8] in Italian either translating to "O dolce concento", "O dolce armonia", or, as Sor chose to use, "O cara armonia". This last translation was also used in the vocal score of The Magic Flute published in Birchall, London in around 1813.[3]: 71
Sor's theme differs somewhat from Mozart's original, as may be seen in the comparison above/right. The time and key signatures of the originals have been changed and repeats deleted to better make the comparison. None of the bars (measures) are exactly the same but most only differ slightly.
See also
[edit | edit source]Notes and references
[edit | edit source]Notes
- ^ Jeffrey's opus numbering which he draws from Meissonnier; normally: Op. 7 is 'Fantasy No. 2', and 'Folies d'Espagne' is Op. 15a.
References
- ^ a b John Duarte, liner notes from Music of Spain: The Classical Heritage, Julian Bream edition, vol. 24, New York 1993
- ^ John Duarte, liner notes from Music of Spain: Guitarra, Julian Bream edition, vol. 27, New York 1993
- ^ a b c d e f Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- ^ a b John Williams, liner notes from John Williams: Guitar Recital, London 1972
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- ^ "Introduction and Variations on a Theme of Mozart Op. 9" by Stephen Kenyon, jacaranda-music.com
- ^ "Das klinget so herrlich, das klinget so schön!" (Die Zauberflöte); bar 301: Score in the Neue Mozart-Ausgabe
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
Further reading
[edit | edit source]- Buch, David J. "Two Likely Sources for Sor's Variations on a Theme by Mozart, Op. 9", Guitar Review 52, Winter 1983: 6–9.
External links
[edit | edit source]- Introduction and Variations on a Theme by Mozart, Op. 9 (Fernando Sor): Scores at the International Music Score Library Project
- Performance on YouTube, Ana Vidović on a Redgate guitar
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