Igor Moiseyev Ballet

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Igor Moiseyev Ballet
General information
NameIgor Moiseyev Ballet
Local nameБалет Игоря Моисеева
Государственный академический ансамбль народного танца имени Игоря Моисеева
Gosudarstvennyy Akademicheskiy Ansambl' Narodnogo Tantsa Imeni Igorya Moiseyeva
Year founded10 February 1937; 89 years ago (10 February 1937)
FoundersIgor Moiseyev
Principal venueTchaikovsky Concert Hall
Websitehttps://www.moiseyev.ru/
Senior staff
Chief ExecutiveAleksey Gladyshev[1]
Artistic staff
Artistic DirectorElena Shcherbakova (ru)[1]
Deputy DirectorAlla Gladkikh[1]
Music DirectorViktor Kuzovlev[1]
Principal ConductorAleksandr Radzetskiy[1]
Other
OrchestraOrchestra of the State Academic Ensemble of Folk Dance

The Igor Moiseyev State Academic Ensemble of Popular Dance[a] is a dance troupe focusing on character dance, based in Moscow, Russia. The troupe combines traditional folk dance and classical ballet techniques to create their style of character dance.[4] It was established in 1937 by Igor Moiseyev. The company has toured in over a hundred countries[5] and is one of the most influential[6] and acclaimed dance troupes of both Soviet and modern Russia.[3][7][8][9]

History

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In 1936, Igor Moiseyev was made dance director of the new Theater of Folk Art in Moscow, and helped organized a folk dance festival.[10][8] The next year, on 10 February, the Moiseyev Ballet came into existence, with just 35 dancers.[2] According to Moiseyev, the dance troupe had early difficulties: politician Alexander Poskrebyshev promised to dissolve the ensemble, however, the ensemble had Stalin's patronage. Therefore, neither Poskrebyshev nor any other politician dared to dissolve it.[11] Allegedly, Stalin enjoyed the Moiseyev Ballet so much that they were constantly invited to the banquets and parties he threw. At the time, the Moiseyev Ballet had its headquarters in a small building on Leontyev Alley (ru). When Igor Moiseyev asked for a larger building to house the studio, Stalin ordered politician Aleksandr Shcherbakov to organize headquarters for the dance company. Thus, they began to occupy the Tchaikovsky Hall (ru), a building that was previously meant to be Vsevolod Meyerhold's new theater.[12]

A drawing of a female dancer in a traditional Romani dress in the middle of a jump, with arms outstretched. The skirt is red and the top is pink.
A 1971 Soviet stamp depicting a dancer of the Moiseyev Ballet performing a Romani dance

The first foreign performance of the Moiseyev Ballet occurred in 1945, in Finland.[12] It began to tour around the world in 1955, and has toured in 60 countries,[2] including the USA, France,[13] Israel,[14] the UK,[15] Japan,[12] and China.[16]

In 1958, they began to tour in the United States, as part of the Lacy-Zarubin Agreement.[17] Impresario Sol Hurok invited the Moiseyev Ballet to perform at the old Metropolitan Opera House, marking the first time a major Soviet dance group had ever performed in the United States. They also appeared on The Ed Sullivan Show.[3][18]

2 male dancers dressed in Ukrainian-style folk clothing jump in the air. A group of female dancers, also in Ukrainian-style folk clothing, watch them from the stage.
Moiseyev dancers perform the Ukrainian dance Hopak in Rotterdam, 1960

JDL incident

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In September 1986, tear gas was thrown at a Moiseyev Ballet performance at the Metropolitan Opera House, forcing the evacuation of 4,000 people and injuring 30. An anonymous caller purporting to be the chairman of the Jewish Defense League, Chaim Ben Yosef, claimed responsibility, saying it was a protest on the behalf of Soviet Jews. However, the actual chairman at the time, Irv Rubin, denied the JDL's responsibility. Ben Yosef also denied making such a call and denied the JDL's responsibility.[19][20] In 1987, Ben Yosef and two others were arrested in relation to a series of bombings in New York, including the tear gas attack at the Moiseyev performance.[21]

Reception

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File:Концертный зал им. П.И. Чайковского.JPG
Tchaikovsky Hall in Moscow, headquarters of the company

John Martin, then the dance critic for the New York Times, wrote in 1961 "Among the truly creative figures in the art of the dance of our time, place high the name of Igor Moiseyev."[22] Anna Kisselgoff wrote that Moiseyev "created a new dance idiom that stood on its own" and called the dances "classics of their genre".[23]

The Moiseyev Ballet continues to tour and perform to the current day. It has been praised by cultural figures such as Maya Plisetskaya, Tatyana Tarasova, and Marlene Dietrich.[13]

In the West, the Moiseyev Ballet has been described as speaking "the nationalist idiom of folk movement".[24] It has also been called "a symbol of Soviet bureaucracy", a "mirror of the Soviet epoch", and "the main cultural tyrant of the [Soviet] regime".[13] However, it has also been credited with helping encourage international cultural exchange, especially between the USA and the Soviet Union.[3]

The Moiseyev Dance Company influenced professional folk dance in Serbia.[clarification needed][25]

References

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  1. ^ Also simply called "Moiseyev Dance Company" or "Igor Moiseyev Ballet"[2][3]
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