Hannah Rickards

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Hannah Rickards (born 1979) is a British conceptual sound artist.[1] She has won the Max Mara Art Prize for Women, the Philip Leverhulme Prize in Visual and Performing Arts and the Nigel Greenwood Art Prize.

Life and work

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Rickards was born in 1979 in Hammersmith, London.[1] She studied at Central Saint Martins, graduating in 2002. In 2007, she returned to teach there as a lecturer in Fine Art.[2][3][4]

Rickards is a conceptual sound artist. In 2007, Rickards interviewed people from Alaska who said they could hear the aurora borealis.[1][5] During a solo show at The Showroom gallery in Marylebone, London, she displayed transcripts from her interviews on three monitors in red, green and blue.[5]

Rickards' 2009 two-screen film work No, there was no red, was displayed at the Whitechapel Gallery before it toured to the Collezione Maramotti in Reggio Emilia, Italy.[6]

Rickards' 2014 exhibition at Modern Art Oxford was accompanied by a monograph examining her artistic practice and with an introduction by Paul Hobson.[7]

After winning the Philip Leverhulme Prize in 2015, Rickards took a two year sabbatical from teaching at Central Saint Martins, during which time she worked on a new piece at the Experimental Media and Performing Arts Center, in Troy, New York, and undertook research trips to the Banff Centre for Arts and Creativity in Banff, Alberta.[4]

Publications

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  • To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the colours as I might see them on a moving picture screen. Oxford: Modern Art Oxford, 2014. By Paul Hobson, Sally Shaw, Isla Leaver-Yap, Rickards, and Adam Chodzko.
  • Grey light. Left and right back, high up, two small windows. Sternberg/Fogo Island Arts, 2016. By Melissa Gronlund, Will Holder, Alexandra McIntosh, Nicolaus Schafhausen, and Rickards.

Awards

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  • 2009: Max Mara Art Prize for Women[2][8][9]
  • 2015: Philip Leverhulme Prize in Visual and Performing Arts[10]
  • 2018: Nigel Greenwood Art Prize[11]

Exhibitions

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  • MaxMara Art Prize for Women: Hannah Rickards: No, there was no red, Whitechapel Gallery, London, 2009[6]
  • To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the colours as I might see them on a moving picture screen., Modern Art Oxford, Oxford, England, 2014[7][12]
  • Modern Art Oxford, Oxford, England, 2016[13][14]
  • One can make out the surface only by placing any dark-coloured object on the ground, The Polygon Gallery, North Vancouver, Canada, 2018-2019[15]

References

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