H Is for Hellgate
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H is for Hellgate | |
|---|---|
| Origin | Seattle, Washington |
| Genres | Indie pop |
| Years active | 2007–2009 |
| Labels | Stereotype Records, Scissor City Sound |
| Members | Jamie Henkensiefken, also known as Jamie Hellgate and Jamie Aaron Aux (guitar/lead vocals), Ben Baier (bass guitar),[1] Jon Jacobson (drums)[2] |
| Past members | Marie Calderon (drums), and David Thomas (guitar/vocals) |
H is for Hellgate was an indie pop band[3] based in Seattle, active from 2007 until breaking up in 2009.
History
[edit | edit source]H is for Hellgate's frontwoman, Jamie Henkensiefken, moved to Seattle from Missoula, Montana in 2002.[4] The band released two studio albums during its 2 years of activity. The first was released on Stereotype Records and the second was released on Scissor City Sound. The band's name derives from a canyon in Missoula.[5] The first was self-titled and was released on February 15, 2007.[1] The second of these albums was entitled "Come for the Peaks, Stay for the Valleys" and was released on December 2, 2008 and produced by Mark Mercer.[6] Their first album was home recorded and their second was recorded at Avast! Recording Company.[5] The band broke up in July 2009, and played their last show on the 23rd of that month at Seattle's Comet Tavern.[7] Both their albums were reviewed by Robert Christgau.[8] Baier is also affiliated with another band, entitled We Wrote the Book on Connectors. Jamie is currently a member of another band, entitled Eighteen Individual Eyes.[9]
Critical reception
[edit | edit source]The Eugene Weekly compared some of H Is for Hellgate's music to that of At the Drive-In, as well as Sleater-Kinney, and compared Henkensiefken's vocals to Alison Mosshart's.[10] The Seattle PI's Gene Stout wrote that their musical style was "A fascinating blend of folk, pop, indie rock, progressive rock and classical, with a hefty dose of riot grrrl energy."[11]
H is for Hellgate (2007)
[edit | edit source]Out There Monthly reviewed their self-titled debut and wrote, "Jamie Henkensiefken’s undeniably loveable and soulful vocals, much like Jamie herself, are the bread and butter of H."[12] Another review of this album came from Three Imaginary Girls, which gave the album a 5.6 out of 10 and wrote "H is for Hellgate almost appears to be two separate bands. The first is a rock band that uses lots of different timing changes and is driven by guitars, primarily. This band reminds me of Silversun Pickups or Metric. The second H is for Hellgate is a vocal-based pop band in the vein of Death Cab for Cutie."[13] Megan Seling of the Stranger was less favorable in her assessment of the album, describing it as "less-than-memorable".[14]
Come for the Peaks, Stay for the Valleys (2008)
[edit | edit source]Nada Mucho ranked Come for the Peaks, Stay for the Valleys as the 6th best Seattle album of 2008.[15] In addition, Three Imaginary Girls ranked the album as the 23rd best Northwest release of 2008.[16] When Robert Christgau reviewed this album, he wrote, "Woman tells her bitter truths, which her guitar elaborates, or is it challenges?"[17] Another positive review of their second album came from the Missoula Independent, who wrote that "each song is beautifully crafted" and compared Henkensiefken favorably to Liz Phair.[18] Seattle Magazine wrote that their second album "...showcases the band’s—and in particular, lead singer Jamie Henkensiefken’s—ability to move seamlessly between punk rants (think Sleater-Kinney), alt-folk ballads (à la Laura Veirs) and the tricky time signatures of prog rock (like The Dismemberment Plan). The surprising mix will keep your ears on their toes."[19] Megan Seling reviewed the album favorably in the Stranger, writing that "Hellgate's pounding drumming and wiry guitar work nod to turbulent '90s post-rock, but some songs ("Blood," for instance) come with a somber Pacific Northwest vibe. "Copernicus and Me" is dark and drilling; "Dusk at Devil's Tower" is one part Jawbox, one part Bikini Kill."[14]
Discography
[edit | edit source]- H Is for Hellgate (Stereotype, 2007)
- Come For the Peaks, Stay For the Valleys (Scissor City Sound, 2008)
References
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