Gregory Crewdson

Gregory Crewdson
File:Gregory Crewdson 2.jpg Crewdson on location in Pittsfield, MA, 2007
Born	(1962-09-26) September 26, 1962 Brooklyn, New York
Education	Brooklyn Friends; John Dewey High School; SUNY Purchase, BA, 1985; Yale University, MFA, 1988
Occupations	Fine-art photographer, professor
Employer	Yale University School of Art
Awards	Skowhegan Medal for Photography, National Endowment for the Arts Visual Artists Fellowship
Website	gagosian.com/artists/gregory-crewdson/

Gregory Crewdson (born September 26, 1962) is an American photographer who makes large-scale, cinematic, psychologically charged prints of staged scenes set in suburban landscapes and interiors. He directs a large production and lighting crew to construct his images.

Early life and education

File:Gregory Crewdson.jpg

Crewdson in 2007

Crewdson was born in the Park Slope neighborhood of Brooklyn, New York. As a child, he attended Brooklyn Friends School, and then John Dewey High School.

As a teenager, he was part of a power pop group called Speedies. Their song "Let Me Take Your Photo" was used in 2005 by Hewlett-Packard in advertisements to promote its digital cameras.

Crewdson attended Purchase College, State University of New York, where he initially planned to study psychology. At Purchase, he enrolled in a photography course taught by Laurie Simmons and also studied with Jan Groover. He received an MFA in photography from the Yale School of Art.

Life and career

Crewdson is a professor and the director of graduate studies in photography at Yale School of Art.

File:Gregory Crewdson untitled photo.jpg

Untitled photo from Crewdson's series Beneath the Roses (2003–2008)

Crewdson's photographs are elaborately planned, produced, and lit using crews familiar with motion picture production who light large scenes using cinema production equipment and techniques. He works with a lighting team, art director, make-up and wardrobe department, props and effects to create mood, atmosphere, and open-ended narrative images. He has worked with the same director of photography, Richard Sands, along with other core team members, for some 25 years. He works much like a director with a budget similar to that of a movie production, each image involves dozens of people and weeks to months of planning.

Using shots that resemble film productions, Crewdson deconstructs American suburban life in his work. He has cited the films Vertigo, The Night of the Hunter, Close Encounters of the Third Kind, Blue Velvet, and Safe as having influenced his style, as well as the painter Edward Hopper and photographer Diane Arbus.

Crewdson's most widely-known bodies of work include Twilight (1998–2002), Beneath the Roses (2003–2008), Cathedral of the Pines (2013–2014), An Eclipse of Moths (2018–2019), and Eveningside (2021–2022). Crewdson's only body of work made outside of the U.S. was Sanctuary (2009), set at the Cinecittá studios in Rome. Nearly all of his other work before and since was made in the small towns and cities in Western Massachusetts.

In 2012, he was the subject of the feature documentary film Gregory Crewdson: Brief Encounters. The film series followed the construction of and an explanation by Crewdson of his thought process and vision for pieces of Beneath the Roses.

Personal life

As of 2020, Crewdson lives primarily in western Massachusetts in a former Methodist church. His long time partner, Juliane Hiam, is a writer and producer, and the two work closely together. Hiam has also appeared as a subject in numerous of Crewdson's pictures. Crewdson has two children from a previous marriage. Crewdson is an open-water swimmer and has said that the meditative state he achieves with his daily swimming practice is fundamental to his creative process as an artist.

Publications

• Twilight: Photographs by Gregory Crewdson. Harry N. Abrams, 2002. . With an essay by Rick Moody.
• Fireflies. Skarstedt Fine Art, 2007. .
• Beneath the Roses. With Russell Banks. Harry N. Abrams, 2008. .
• Dream House. With text by Tilda Swinton. John Rule, 2009. .
• Sanctuary. With Anthony O. Scott. Hatje Cantz, 2010. .
• Cathedral of the Pines. New York: Aperture, 2016. . With a text by Alexander Nemerov.
• An Eclipse of Moths. New York: Aperture, 2020. . With an introduction by Jeff Tweedy.
• Gregory Crewdson: Eveningside, 2012–2022. Milan: Skira Editore, 2022. . Text by Jean-Charles Vergne.

Collections

• Hover. Artspace Books, 1995. .
• Dream of Life. Ed.Salamanca, D.Steinke,B.Morrow , 1999.
• Gregory Crewdson: 1985–2005. Hatje Cantz, 2005. .
• In a Lonely Place. Hatje Cantz, 2011. .
• Gregory Crewdson. New York: Rizzoli, 2013. .
• Alone Street. New York: Aperture, 2021. . With an essay by Joyce Carol Oates and an interview with the artist by Cate Blanchett.
• Gregory Crewdson. Munich, London, New York: Prestel, 2024. . Edited by Walter Moser, with texts by David Fincher, Daniela Hammer-Tugendhat, Beate Hofstadler, Astrid Mahler, Watler, Moser, Matthieu Orléan, and Emily St. John Mandel.

Awards

• Aaron Siskind Foundation Individual Photographer's Fellowship
• Skowhegan Medal for Photography, Skowhegan School of Painting and Sculpture, Skowhegan, ME.
• Skowhegan Medal for Photography
• National Endowment for the Arts fellowship
• Honorary Doctorate, Montserrat College of Art, Beverly, MA.
• Honorary Doctorate, SUNY Purchase, NY.
• Distinguished Artist Award, St. Botolph Club Foundation, Boston, MA.

Collections

Crewdson's work is held in the permanent collections of major institutions worldwide, including:

• Albertina Museum, Vienna
• The Broad, Los Angeles
• The Getty Museum, Los Angeles
• Los Angeles County Museum of Art, Los Angeles
• Metropolitan Museum of Art, New York
• Museum of Modern Art, New York
• San Francisco Museum of Modern Art, San Francisco
• Solomon R. Guggenheim Museum
• Victoria and Albert Museum, London
• Whitney Museum, New York
• Yale University Art Gallery, New Haven

Films about Crewdson

• Gregory Crewdson: Brief Encounters (2012) – feature documentary directed, produced, and shot by Ben Shapiro
• There But Not There (2017) – short documentary about Crewdson's casting process, directed by Juliane Hiam
• Making Eveningside (2022) – short interpretive documentary directed by Harper Glantz, set to original music by Stuart Bogie and James Murphy (electronic musician) about the making of Eveningside