Evening Class
| File:Evening Class (novel).jpg First edition (UK) | |
| Author | Maeve Binchy |
|---|---|
| Language | English |
| Genre | Novel |
| Publisher | Orion Books (UK) Delacorte Press (US) Little, Brown (Canada) |
Publication date | 1996 |
| Publication place | Republic of Ireland Ireland |
| Media type | Print (hardback & paperback) |
| Pages | 544 pp (paperback edition) |
| ISBN | Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value). |
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Evening Class is a 1996 novel by the Irish author Maeve Binchy. It was adapted as the award-winning film Italian for Beginners (2000) by writer-director Lone Scherfig, who failed to formally acknowledge the source, although at the very end of the closing credits is the line 'with thanks to Maeve Binchy'.[1]
Plot introduction
[edit | edit source]A story of many Irish men and women from various backgrounds and how a teacher, Nora O'Donoghue (known as "Signora"), and an Italian evening class changes their lives over the course of a year. Each chapter deals with the life story of one or more students in the class. In a Dickensian way, they bump into each other and are affected by the decisions of those around them.
Major themes
[edit | edit source]It is a story of love and deceit, family drama, wealth and poverty, of friendship and courage, and lots of laughter.
Related
[edit | edit source]Nora O'Donoghue and Aidan Dunne also appear in Quentins, another novel by Maeve Binchy, and play a more significant role in Heart and Soul.
Film adaptation
[edit | edit source]The novel heavily inspired the plot of the Danish feature film Italian for Beginners (2000), which won a Silver Berlin Bear and several other major international awards. Maeve Binchy was not paid, credited nor informed of this, but was later paid an undisclosed sum, when her publisher contacted the producers of the movie, Lars von Trier's company Zentropa. Although the film's writer-director Lone Scherfig had told the press that the film was based on her idea, executive producer Peter Aalbæk Jensen later admitted that she had made him aware of the similarities but that he had simply decided not to pay the original author.[2]
