Draft:Iafa Britz
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- File:Symbol opinion vote.svg Comment: We still have a WP:REFBOMB after Warner Channel, with 11 references. This isn't at all helpful. The point here is to cite to ideally one good source after a particular fact, not to string 11 of them togther. There are some other 4 cite strings too. This then leads on to WP:THREE - this an essay but explains the difficulty here. It is very difficult to establish notability based on these sources. One option is to enter some information on the subject's Talk page identifying 3 or 4 sources.In that respect, you need to look carefully at WP:PRODUCER and the 4 criteria there. We need evidence to link to at least one criteria. I suspect it will be number 1 or number 4. You may also want to consider a much shorter article, just focusing on the more significant pieces of work. ChrysGalley (talk) 22:39, 17 October 2025 (UTC)
- File:Symbol opinion vote.svg Comment: Your referencing makes it impossible to verify any notability. P"Lease read and apply WP:REFB and WP:CITE"[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [18] [19] [20] [21] [22]" all in a row in the References section is helpful to us and useless to youSince yiou are a paid editor please learn your trade before submitting drafts 🇵🇸🇺🇦 FiddleTimtrent FaddleTalk to me 🇺🇦🇵🇸 17:29, 9 June 2025 (UTC)
- File:Symbol opinion vote.svg Comment: In accordance with the Wikimedia Foundation's Terms of Use, I disclose that I have been paid by my employer for my contributions to this article. HildebrandoFCF (talk) 15:21, 15 April 2025 (UTC)
This article contains paid contributions. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. (June 2025) |
Iafa Britz | |
|---|---|
| File:Iafa Britz.jpg Iafa Britz in 2023 | |
| Born | August 29, 1971 |
| Occupations | Film producer, screenwriter |
| Years active | 1996–present |
| Known for | Migdal Filmes |
| Notable work | Minha Mãe É uma Peça, Nosso Lar, Casa Grande, Cássia Eller |
Iafa Britz (born August 29, 1971) is a Brazilian film producer and screenwriter. She is a co-founder and the head of Migdal Filmes, a Brazilian production company responsible for some of the most commercially successful films in the country.[1]
As a producer, Britz has been associated with record-breaking box-office performances in Brazilian cinema. Minha Mãe É uma Peça 3 became the highest-grossing Brazilian film in the country’s recorded box-office history, while Minha Mãe É uma Peça 2 reached more than 9 million admissions nationwide.[2]
She also produced Nosso Lar (2010), which attracted more than four million spectators and ranked among the most widely viewed Brazilian films of its decade, consolidating her position as a leading producer of large-scale national releases.[3]
In addition to commercial success, Britz’s work has received recognition at major Brazilian film festivals. Films she produced include Casa Grande, winner of the Audience Award at the 2014 Festival do Rio, and the documentary Cássia Eller, which received the Audience Award for Best Brazilian Documentary at the São Paulo International Film Festival.[4][5]
Biography
[edit | edit source]Born in Rio de Janeiro in 1971, Iafa Britz began working in the Brazilian film industry in the mid-1990s.[1] In 1998, she co-founded the production company Total Filmes, an early step in her transition from production roles to company leadership.[6]
In 2009, Britz founded Migdal Filmes, which became the primary vehicle for her work as a film producer.[7] Through the company, she produced commercially successful features such as Nosso Lar and the Minha Mãe É uma Peça film series, which ranked among the most widely attended Brazilian films of their respective years.[2][3]
Alongside box-office performance, Britz’s productions have received recognition at major Brazilian film festivals. Casa Grande won the Audience Award for Best Fiction Feature at the 2014 Festival do Rio, while the documentary Cássia Eller received the Audience Award for Best Brazilian Documentary at the São Paulo International Film Festival.[4][5]
In addition to her work in cinema, Britz has been involved in television production, contributing to series aired on Brazilian cable channels and international networks through co-productions developed by Migdal Filmes.[8][9]
Filmography
[edit | edit source]Film
[edit | edit source]| Year | Title | Role |
|---|---|---|
| 2010 | Nosso Lar | Producer |
| 2013 | Minha Mãe É uma Peça | Producer |
| 2014 | Casa Grande | Producer |
| 2015 | Cássia Eller | Producer |
| 2016 | Minha Mãe É uma Peça 2 | Producer |
| 2019 | Minha Mãe É uma Peça 3 | Producer |
| 2019 | M8 – Quando a Morte Socorre a Vida | Producer |
| 2024 | As Polacas | Producer |
| 2024 | Nosso Lar 2: Os Mensageiros | Producer |
Television
[edit | edit source]| Year | Series | Role |
|---|---|---|
| 2011–2015 | 220 Volts | Producer |
| 2013–2015 | As Canalhas | Producer |
| 2020–2024 | Matches | Co-producer |
As screenwriter
[edit | edit source]| Year | Title | Role |
|---|---|---|
| 2015 | Linda de Morrer | Screenwriter |
| 2025 | (Des)Controle | Story |
References
[edit | edit source]- ^ a b Batista, Júlia (June 6, 2011). "Iafa e os filmes das multidões". Estadão. Retrieved 2025-02-28.
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