Draft:Congruence
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Congruence is a concept in various fields describing a state of coming together, the state of agreement. The term is derived from the Latin congruō meaning "I meet together, I agree", while its opposite, incongruence, denotes a lack of correspondence or agreement between entities. The concept came into widespread use in the 19th century, originating with usage as a term in mathematics.[1]
As an abstract idea, congruence indicates a relationship arising from similarity between objects, and in this context it has been noted that "the concept of congruence plays an important role within the theoretical description of our world".[2] Congruence, as opposed to approximation, is a relation which implies a species of equivalence. In various social situations, such as the design of business organizations, "congruence is a measure of how well pairs of components fit together".[3]
The concept of congruence is used across a variety of disciplines. In measurement theory, "the relation of congruence that holds between objects that are divided spatially is undetermined unless the concept of congruence has been fixed by definitions", which has been described as a "logical presupposition concerning measurements" achieved by a coordinative definition linking the concept to a real object.[2] In a general sense, congruence may "refer indifferently to any species of metrical equality".[4] Other authors have characterized congruence as encompassing "three major properties: consistency, reciprocity, and coherence".[5]
Research has also explored congruence in aesthetic contexts, finding for example that where visual art was viewed with music playing, the "stylistic congruence between paintings and music increased the aesthetic evaluation".[6]
Mathematics
[edit | edit source]Mathematics provides the most direct instance of congruence as a measurable similarity. In geometry, two figures or objects are congruent if they have the same shape and size, or if one has the same shape and size as the mirror image of the other.[7] Related mathematical notions include:
- Congruence or congruence relation, in abstract algebra, an equivalence relation on an algebraic structure that is compatible with the structure
- In modular arithmetic, having the same remainder when divided by a specified integer
- Ramanujan's congruences, congruences for the partition function, p(n), first discovered by Ramanujan in 1919
- Congruence subgroup, a subgroup defined by congruence conditions on the entries of a matrix group with integer entries
- Congruence of squares, in number theory, a congruence commonly used in integer factorization algorithms
- Matrix congruence, an equivalence relation between two matrices
- Congruence (manifolds), in the theory of smooth manifolds, the set of integral curves defined by a nonvanishing vector field defined on the manifold
- Congruence (general relativity), in general relativity, a congruence in a four-dimensional Lorentzian manifold that is interpreted physically as a model of space time, or a bundle of world lines
- Zeller's congruence, an algorithm to calculate the day of the week for any date
- Scissors congruence, a property of polyhedra that can be cut into finitely many polyhedral pieces and reassembled into each other, related to Hilbert's third problem
Mineralogy and chemistry
[edit | edit source]In mineralogy and chemistry, the term congruent (or incongruent) may refer to:
- Congruent dissolution: substances dissolve congruently when the composition of the solid and the dissolved solute stoichiometrically match
- Congruent melting occurs during melting of a compound when the composition of the liquid that forms is the same as the composition of the solid
- Incongruent transition, in chemistry, is a mass transition between two phases which involves a change in chemical composition
Psychology
[edit | edit source]In the personality theory of Carl Rogers, congruence refers to the degree of alignment between the ideal self and the actual self, as contrasted with incongruity. Related concepts include mood congruence in psychiatry and psychology, where emotional states influence perception and memory.
The incongruity theory of humor proposes that incongruity is a key aspect of certain expressions of humor. Aristotle observed that many jokes relied on a combination of incongruity and hostility. He explained that jokes are funny because they catch the listener off guard, introducing a surprising and unexpected twist that amuses them. However, this incongruity alone does not entirely explain the mechanics of laughter. There also appears to be a component of hostility from both the comedian and the audience. What makes something funny often involves ridiculous features, such as a physical deformity or a slip-up. Therefore, whether through jokes, situations, or physical characteristics, while humor's laughter-inducing quality primarily stems from incongruity, aggression is also intertwined with it.[8]
See also
[edit | edit source]- Congruence bias, a type of cognitive bias, similar to confirmation bias
- Congruence principle (disambiguation)
- Hatch mark, geometric notation for congruent line segments
- ≡ (disambiguation)
- ≃, symbol representing asymptotic analysis
References
[edit | edit source]- ^ Sous la direction d’Alain Rey, Dictionnaire historique de la langue française, Le Robert, 2010, page 511.
- ^ a b Carsten Klein, "Coordination and Convention in Hans Reichenbach's Philosophy of Space", in Friedrich Stadler, The Vienna Circle and Logical Empiricism: Re-evaluation and Future Perspectives (2003), pp. 111, 114.
- ^ David Nadler, Michael Tushman, Competing by Design: The Power of Organizational Architecture (1997), p. 34.
- ^ Adolf Grünbaum, Philosophical Problems of Space and Time: Second, enlarged edition (2012), p. 452.
- ^ James P. Anglin, Pain, Normality, and the Struggle for Congruence: Reinterpreting Residential Care for Children and Youth (2014), p. 64.
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value). Citing Limbert W.M., Polzella D.J. Effects of music on the perception of paintings. Empir. Stud. Arts. 1998;16:33–39. doi: 10.2190/V8BL-GBJK-TLFP-R321; Siefkes M. An experimental approach to multimodality: How musical and architectural styles interact in aesthetic perception. In: Wildfeuer J., editor. Building Bridges for Multimodal Research: International Perspectives on Theories and Practices of Multimodal Analysis. Peter Lang; New York, NY, USA: 2015. pp. 247–265; and Koning A., van Lier R. Effects of music on visual art: An eye movement study; Proceedings of the Perception Supplement, 42th ECVP; Bremen, Germany. 25–29 August 2013; p. 103.
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- This open draft remains in progress as of October 15, 2025.