Damage and Joy
| Damage and Joy | ||||
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| File:The Jesus and Mary Chain - Damage and Joy.png | ||||
| Studio album by | ||||
| Released | 24 March 2017 | |||
| Recorded |
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| Length | 53:05 | |||
| Label | Artificial Plastic | |||
| Producer |
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| The Jesus and Mary Chain chronology | ||||
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| Singles from Damage and Joy | ||||
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Damage and Joy is the seventh studio album by Scottish alternative rock band the Jesus and Mary Chain, released on 24 March 2017 by Artificial Plastic Records.[2] It is the group's first album in 19 years, and marks their first collaboration with producer Youth.[3]
Half of the album's songs had appeared previously in different versions: an earlier recording of "All Things Pass" was released on the 2008 Heroes soundtrack as "All Things Must Pass"; "Song for a Secret" and "Amputation" were released by Jim Reid, the latter as a solo single in 2007 under the title "Dead End Kids"; "Can't Stop the Rock" was released by Sister Vanilla, the Reids' sister Linda; and "The Two of Us", "Get on Home", and "Facing Up to the Facts" were released by Jim's band Freeheat.
Reception
[edit | edit source]This section needs expansion. You can help by adding to it. (September 2022) |
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 70/100[4] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Consequence of Sound | C+[6] |
| DIY | |
| The Observer | |
| Paste | 6.2/10[9] |
| Pitchfork | 6.7/10[10] |
| PopMatters | |
| Record Collector | |
| Rolling Stone | |
| The Skinny | |
| Publication | Accolade | Year | Rank | Ref. |
|---|---|---|---|---|
| Fopp | Best Albums of the Year | 2017 | 45
|
|
| God Is in the TV | Top 50 Albums of the Year | 2017 | 35
|
|
| Louder Than War | Top 100 Albums of the Year | 2017 | 4
|
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| Piccadilly Records | Top 100 Albums of the Year | 2017 | 53
|
Track listing
[edit | edit source]All tracks are written by William Reid and Jim Reid.
| No. | Title | Length |
|---|---|---|
| 1. | "Amputation" | 3:24 |
| 2. | "War on Peace" | 4:34 |
| 3. | "All Things Pass" | 4:34 |
| 4. | "Always Sad" | 2:52 |
| 5. | "Song for a Secret" | 3:21 |
| 6. | "The Two of Us" | 4:12 |
| 7. | "Los Feliz (Blues and Greens)" | 4:54 |
| 8. | "Mood Rider" | 4:04 |
| 9. | "Presidici (Et Chapaquiditch)" | 3:36 |
| 10. | "Get on Home" | 3:31 |
| 11. | "Facing Up to the Facts" | 3:05 |
| 12. | "Simian Split" | 4:14 |
| 13. | "Black and Blues" | 3:23 |
| 14. | "Can't Stop the Rock" | 3:21 |
| Total length: | 53:05 | |
| No. | Title | Length |
|---|---|---|
| 15. | "Black and Blues" (acoustic demo) | 2:36 |
| 16. | "Yoko" | 3:53 |
| Total length: | 59:34 | |
Personnel
[edit | edit source]The Jesus and Mary Chain
[edit | edit source]Additional musicians
[edit | edit source]- Bernadette Denning – vocals (track 4)
- Isobel Campbell – vocals (tracks 5, 6)
- Linda Fox – vocals (tracks 7, 14)
- Sky Ferreira – vocals (track 13)
- Brian Young – drums
- Phil King – guitar (track 13)
- Chris Phillips – drums (track 8)
Technical
[edit | edit source]- Youth – production (tracks 1–7, 9–11, 13, 14)
- Michael Rendall – engineering, mixing
- Jamie McEvoy – mixing assistance
- The Jesus and Mary Chain – production (tracks 8, 12)
- Dave Trumfio – pre-production (track 8)
- Josiah Mazzaschi – engineering (tracks 8, 12)
- Jamie Grashion – additional engineering
- Conor Brady – additional engineering
- Tommaso Colliva – additional mix engineering
- Marcus Locock – additional mix engineering
- John Davis – mastering at Metropolis Mastering (London)
- Rachel Willett – cover photo
Charts
[edit | edit source]| Chart (2017) | Peak position |
|---|---|
| Australian Albums (ARIA)[20] | 72 |
| Austrian Albums (Ö3 Austria)[21] | 32 |
| Belgian Albums (Ultratop Flanders)[22] | 60 |
| Belgian Albums (Ultratop Wallonia)[23] | 44 |
| French Albums (SNEP)[24] | 77 |
| German Albums (Offizielle Top 100)[25] | 34 |
| Irish Albums (IRMA)[26] | 22 |
| Italian Albums (FIMI)[27] | 70 |
| New Zealand Heatseekers Albums (RMNZ)[28] | 1 |
| Portuguese Albums (AFP)[29] | 24 |
| Scottish Albums (OCC)[30] | 6 |
| Spanish Albums (PROMUSICAE)[31] | 31 |
| Swiss Albums (Schweizer Hitparade)[32] | 43 |
| UK Albums (OCC)[33] | 16 |
| UK Independent Albums (OCC)[34] | 1 |
| US Independent Albums (Billboard)[35] | 9 |
| US Top Alternative Albums (Billboard)[36] | 22 |
| US Top Rock Albums (Billboard)[37] | 38 |
References
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- ^ "Austriancharts.at – The Jesus and Mary Chain – Damage and Joy" (in German). Hung Medien. Retrieved 5 April 2017.
- ^ "Ultratop.be – The Jesus and Mary Chain – Damage and Joy" (in Dutch). Hung Medien. Retrieved 1 April 2017.
- ^ "Ultratop.be – The Jesus and Mary Chain – Damage and Joy" (in French). Hung Medien. Retrieved 1 April 2017.
- ^ "Lescharts.com – The Jesus and Mary Chain – Damage and Joy". Hung Medien. Retrieved 5 April 2017.
- ^ "Offiziellecharts.de – The Jesus and Mary Chain – Damage and Joy" (in German). GfK Entertainment Charts. Retrieved 31 March 2017.
- ^ "Irish-charts.com – Discography The Jesus and Mary Chain". Hung Medien. Retrieved 26 June 2017.
- ^ "Italiancharts.com – The Jesus and Mary Chain – Damage and Joy". Hung Medien. Retrieved 25 June 2017.
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- ^ "Portuguesecharts.com – The Jesus and Mary Chain – Damage and Joy". Hung Medien. Retrieved 25 June 2017.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 1 April 2017.
- ^ "Spanishcharts.com – The Jesus and Mary Chain – Damage and Joy". Hung Medien. Retrieved 25 June 2017.
- ^ "Swisscharts.com – The Jesus and Mary Chain – Damage and Joy". Hung Medien. Retrieved 5 April 2017.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved 1 April 2017.
- ^ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved 1 April 2017.
- ^ "The Jesus and Mary Chain Chart History (Independent Albums)". Billboard. Retrieved 25 June 2017.
- ^ "The Jesus and Mary Chain Chart History (Top Alternative Albums)". Billboard. Retrieved 25 June 2017.
- ^ "The Jesus and Mary Chain Chart History (Top Rock Albums)". Billboard. Retrieved 25 June 2017.
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