Black, Brown and Beige (1958 album)

Black, Brown and Beige
File:Black, Brown, and Beige.jpg
Studio album by Duke Ellington
Released	1958
Recorded	February 4–5 & 11–12, 1958
Genre	Swing big band
Length	35:42
Label	Columbia
Producer	Irving Townsend
Duke Ellington chronology
Live at the 1957 Stratford Festival (1957) Black, Brown and Beige (1958) Newport Jazz Festival (1958) (1958)

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Black, Brown and Beige is a 1958 jazz album by Duke Ellington and his orchestra, featuring Mahalia Jackson.

The album is a recording of a revised version of Ellington's Black, Brown and Beige suite. After a disappointing critical response to its first performance in 1943, Ellington divided the three-part suite into six shorter sections, leaving in "Come Sunday" and "Work Song", and it is this version that is recorded here.

Track listing

All tracks by Duke Ellington

1. "Part I" – 8:17
2. "Part II" – 6:14
3. "Part III" (a.k.a. Light) – 6:26
4. "Part IV" (a.k.a. Come Sunday) – 7:58
5. "Part V" (a.k.a. Come Sunday) – 3:46
6. "Part VI" (23rd Psalm) – 3:01

   Bonus tracks on re-releases

7. "Track 360" (a.k.a. Trains) (alternative take) – 2:02
8. "Blues in Orbit" (a.k.a. Tender) (alternative take) – 2:36
9. "Part I" (alternative take) – 6:49
10. "Part II" (alternative take) – 6:38
11. "Part III" (alternative take) – 3:08
12. "Part IV" (alternative take) – 2:23
13. "Part V" (alternative take) – 5:51
14. "Part VI" (alternative take) – 1:59
15. "Studio conversation" (Mahalia Swears) – 0:07
16. "Come Sunday" (a cappella) – 5:47
17. "(Pause track)" – 0:06

Personnel

• Duke Ellington – piano
• Cat Anderson, Shorty Baker, Clark Terry – trumpet
• Ray Nance – trumpet & violin
• Quentin Jackson, Britt Woodman – trombone
• John Sanders – valve trombone
• Jimmy Hamilton – clarinet
• Bill Graham – alto saxophone (subbing for Johnny Hodges)
• Russell Procope – clarinet & alto saxophone
• Paul Gonsalves – tenor saxophone
• Harry Carney – baritone saxophone
• Jimmy Woode – bass
• Sam Woodyard – drums
• Mahalia Jackson – vocals