Anne Elizabeth Moore
Anne Elizabeth Moore | |
|---|---|
| File:Anne Elizabeth Moore.JPG | |
| Born | 1971 (age 54–55) Winner, South Dakota, U.S. |
| Alma mater | University of Wisconsin–Eau Claire School of the Art Institute of Chicago |
| Known for | Illustrations |
Anne Elizabeth Moore (born 1971 in Winner, South Dakota) is an American cultural critic, artist, journalist, and editor. She is well known for her books Body Horror: Capitalism, Fear, Misogyny, Jokes (2017), Sweet Little Cunt: the Graphic Work of Julie Doucet (2018), about Julie Doucet, and Gentrifier: A Memoir (2021). Her work mainly deals with the nature of power and women’s oppression, the housing crisis and gentrification, and women’s health.
Moore’s writing has been featured in various publications, including the Guardian, Salon, Paris Review, Chicago Journal, and The Baffler. She has written extensively about culture and media, illness, and human rights. Her essays “Reimagining the National Border Patrol Museum (and Gift Shop)” (2008) and “17 Theses on the Edge” (2010) have respectively received honorable mentions in Best American Non-Required Reading.
Life and career
[edit | edit source]Born 1971 in Winner, South Dakota, Moore attended the University of Wisconsin–Eau Claire and later the School of the Art Institute of Chicago, where she got her start and trained as an artist to eventually exhibit work internationally.[citation needed] Her work has also been in the Whitney Biennial in New York and the Museum of Contemporary Art in Chicago.[1] She also received various awards, including the National Endowment for the Arts Media Award, the Ragdale Fellowship, the USC Annenberg/Getty Arts Journalism Fellowship, the UN Press Fellowship for journalism, and two Fulbright Scholarships.[citation needed]
Moore was named editor-in-chief of the Chicago Reader in October 2018, replacing Mark Konkol.[2] She abruptly departed the Reader in March 2019.[3]
Currently, she lives in Upstate New York with her cat, Captain America, writing, traveling, teaching, and dealing with the occasional cow and snake.[citation needed]
Nonfiction
[edit | edit source]Books
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Selected Essays
[edit | edit source]Essays on American Culture
[edit | edit source]- On Leaving the Birthplace of Standard Time, The Believer (an excerpt from Body Horror)[9]
- Knocked Out Loaded, The New Inquiry[10]
Comics, Books, Film & Art
[edit | edit source]- The Destabilizing Desire of Julie Doucet, Paris Review (an excerpt from Sweet Little Cunt)[11]
- The Never-ending Story, The Baffler[12]
- Silenced without Proof: On Soft Censorship, PEN America[13]
Media and Politics
[edit | edit source]- The Vertically Integrated Rape Joke, The Baffler[15]
Women & Labor
[edit | edit source]- Degendering Value, Jacobin[17]
Awards
[edit | edit source]- 2019 Eisner Award for Best Academic/Scholarly Work for Sweet Little Cunt: The Graphic Work of Julie Doucet (Uncivilized Books)
References
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External links
[edit | edit source]- Official website
- Three Days in Detroit (2017)
- The Tupperware Party (2018)
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- American editors
- Comics critics
- American book artists
- American contemporary artists
- Webzine writers
- American women essayists
- American essayists
- Living people
- University of Wisconsin–Eau Claire alumni
- School of the Art Institute of Chicago alumni
- 1971 births
- American illustrators
- American women book artists
- 21st-century American women