Aimless Walk
| Aimless Walk | |
|---|---|
| Czech | Bezúčelná procházka |
| Directed by | Alexandr Hackenschmied |
Release date |
|
Running time | 9 minutes |
| Country | Czechoslovakia |
| Language | Silent |
Aimless Walk (Bezúčelná procházka) is an unconventional and complex 8-minute film directed by the Czech filmmaker Alexandr Hackenschmied, also known as Alexander Hammid. Released in 1930, the film falls within the experimental documentary genre and is a notable example of European cinema's avant-garde tradition. It has been mentioned alongside city symphony films such as Man with a Movie Camera and Manhatta.[1]
Synopsis
[edit | edit source]The film presents a non-conventional narrative, offering a visual journey through various urban landscapes. It begins with scenes devoid of human figures, focusing on tram rails, a tram in motion, and notable landmarks in Prague. The protagonist, a man in a suit, embarks on a journey out of the city, exploring the Libeň peninsula and showcasing semi-industrial areas, chimneys, factories, and the Vltava river. A unique doppelganger effect is introduced when the man sits on the grass, creating an intriguing visual sequence. The film concludes as the protagonist boards a tram heading back to Prague, leaving his double behind in Libeň.[2]
Context within the avant-garde
[edit | edit source]The film's context is linked to the historical avant-garde and the emergence of film as an art form in Czechoslovakia in the 1930.[3] Hackenschmied's work contributed to elevating film to an art form within the avant-garde movement, challenging traditional narrative structures and exploring innovative direction and movement techniques.
Reception
[edit | edit source]Aimless Walk challenges traditional narrative structures, offering a unique perspective on the city and incorporating the motif of the doppelganger. Described as the "first Czech avant-garde film of international significance"[4] the film deviates from the typical city symphony structure, presenting a distinctive and timeless perspective that transcends contemporary contexts of genre and style.
Films
[edit | edit source]Martina Kudláček’s documentary Aimless Walk — Alexander Hammid (1996 by Česká Televize & Mina Film).
Further reading
[edit | edit source]- Anděl, Jaroslav. (2000). Alexandr Hackenschmied. Praha.
- Drubek, Natascha. (2012). "Bezúčelná Procházka" / "Aimless Walk" (1930): Alexander Hackenschmied's "Film Study" of a Tram Ride to the Outskirts of Prague — Libeň. Bohemia (Munich, Germany). 52. 10.18447/BoZ-2012-3749.
- "Aimless Walk." Ji.hlava International Documentary Film Festival.
- Anděl, Jaroslav. (2000). Alexandr Hackenschmied. Praha.
- Fabian, Jeannette. "Kinographie und Poesie. Zur Medienästhetik der tschechischen Avantgarde." In: Lüdeke, Roger/Greber, Erika (eds.). "Intermedium Literatur. Beiträge zu einer Medientheorie der Literaturwissenschaften." Göttingen, 2004.
References
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External links
[edit | edit source]- Aimless Walk at IMDbLua error in Module:WikidataCheck at line 29: attempt to index field 'wikibase' (a nil value).
- 1930 films
- Czech documentary films
- Czech avant-garde and experimental films
- 1930s avant-garde and experimental films
- Documentary films about cities
- Films shot in Prague
- Films set in Prague
- 1930 short documentary films
- Czechoslovak documentary films
- Czechoslovak avant-garde and experimental films
- 1930s Czech films
- 1930s Czech film stubs
- Documentary film stubs