List of paintings by Francis Bacon
(Redirected from Study of the Sphinx)
Template:SHORTDESC: This is an incomplete list of paintings by the Irish-born British painter Francis Bacon (1909–1992).
1930s
[edit | edit source]- c.1929–30
- Painting (Oil on canvas, 91.5 cm × 61 cm, Private Collection (long term loan to the Tate Gallery))[1]
- 1933
- Crucifixion (Oil on canvas, 60.5 cm × 47 cm, Private collection of Damien Hirst (Murderme), London)[2]
- c.1936
- Figures in a Garden (aka Seated Figure, The Fox and the Grapes, and Goering and his Lion Cub) (Oil on canvas, 74 cm × 94 cm, Tate Gallery, London)[3]
1940s
[edit | edit source]- 1944
- Three Studies for Figures at the Base of a Crucifixion (Oil and pastel on Sundeala board, 94 cm × 74 cm (37 in × 29 in), Tate, London) (large triptych)
- 1945
- Figure in a landscape (Oil on canvas, 144.8 cm × 128.3 cm, Tate, London)[2]
- 1945–46
- Figure Study I (Oil on canvas, 123 cm × 105.5 cm, Scottish National Gallery of Modern Art, Edinburgh)[4]
- Figure Study II (Oil on canvas, 145 cm x 129 cm, Huddersfield Art Gallery, Huddersfield)[2]
- 1946
- Painting (Oil and pastel on linen, 198 cm × 132 cm (77+7⁄8 in × 52 in), Museum of Modern Art, New York City)[5]
- 1947–48
- Head I (Oil and tempera on hardboard, 100.3 cm × 74.9 cm (39.5 x 29.5 in), Metropolitan Museum of Art, New York City)[6]
- 1949
- Head II (Oil on canvas, 80 x 63.6 cm (31.4 x 25 in), Ulster Museum, Belfast)[7]
- Head III (Oil on canvas, 81 x 66 cm (32 x 26 in), Private collection)[8]
- Head IV (Man with a Monkey) (Oil on canvas, 82 x 66 cm, (32.4 x 26 in) Private collection)[9]
- Head V (Oil on canvas) Private collection)[9]
- Head VI (Oil on canvas, 93.2 cm × 76.5 cm (36.6 x 30.1in), Arts Council Collection, London)[10]
- Study from the human body (Oil on canvas, 147.2 × 130.6 cm, National Gallery of Victoria, Melbourne)[11]
1950s
[edit | edit source]- 1951
- Pope I – Study after Pope Innocent X by Velazquez (Oil and sand on canvas, 197.8 x 137.4 cm (78 x 54 in), Aberdeen Art Gallery, Aberdeen)[12]
- 1952
- Man Eating a Leg of Chicken (Oil on canvas), Collezione Maramotti, Reggio Emilia)[13]
- Man Kneeling in Grass (Oil on canvas, 198 x 137 cm (78 x 54 in), Private collection, Milan)[14]
- Study for Crouching Nude (Oil and sand on canvas, 137.1 x 198.1 cm (54 × 78 in), Detroit Institute of Arts, Michigan)[15]
- Study of a Dog (Oil on canvas, 198.1 cm × 137.2 cm, Tate Gallery, London)[16]
- Study of a Figure in a Landscape (Oil on canvas, 198.12 x 137.16 cm (78 x 54 in), Phillips Collection, Washington D.C.) [17]
- Study for a Portrait (aka Businessman I and Man's Head) (Oil on canvas, 66.1 cm × 56.1 cm, Tate Gallery, London)[18]
- 1953
- Two Figures (Oil on canvas, 152.5 cm × 116.5 cm (60.0 in × 45.9 in), Private Collection.
- Study after Velázquez's Portrait of Pope Innocent X (Oil on canvas, 59+7⁄8 in × 46+3⁄8 in (152 cm × 118 cm), Des Moines Art Center, Des Moines)[19]
- Study of a Baboon (Oil on canvas, 198.3 x 137.3 cm (6.6 x 54 in), Museum of Modern Art, New York City)[20]
- Study from the Human Body (Oil on canvas, 147.2 x 130.6 cm (57.8 x 51.4in), National Gallery of Victoria, Melbourne)[21]
- Study for a Portrait (Oil on canvas, 152.3 x 117 cm (60 x 46 in), Private collection)[22]
- Study for Portrait VI (Oil on canvas, 1,510 mm × 1,160 mm (59+5⁄8 in × 45+3⁄4 in), Minneapolis Institute of Arts, Minnesota)[23]
- Study for Portrait VII (Oil on canvas, 152.3 x 117 cm (60 x 46 in), Museum of Modern Art, New York City)[24]
- Study of the Sphinx (Oil on canvas, 214 x 153 cm (84.2 x 60.2 in), Yale University Art Gallery, New Haven, Connecticut)[25]
- 1954
- Man in Blue IV (Oil on canvas, 137 × 197.96 cm (53.94 x 77.95 in), mumok, Vienna)[26]
- Figure with Meat
- 1955
- Head in Grey (Oil on canvas, 60.9 x 51 cm (24.1 × 20.1 in), Walker Art Center, Minnesota)[27]
- Study for Portrait II (after the Life Mask of William Blake) (Oil on canvas, 60.1 cm × 50.8 cm, Tate Gallery, London)[28]
- Figure Sitting (The Cardinal) (Oil on canvas, 178.5 cm × 143.5 cm (70.2 x 56.4in), Stedelijk Museum voor Actuele Kunst, Ghent)[29]
- 1956
- Figures in a Landscape (Oil on canvas, 150 x 107.5 cm (59 x 42.3 in), Birmingham Museum and Art Gallery, Birmingham)[30]
- Self-Portrait (Oil on canvas, 198.12 × 137.16 cm (78 x 54 in), Modern Art Museum of Fort Worth, Texas)[31]
- Study for Figure No. 4 (Oil on canvas, 152.4 cm × 116.8 cm (60 x 45.9in), Art Gallery of South Australia, Adelaide)[32]
- Study for Portrait, Number IV (After the Life Mask of William Blake) (Oil on canvas, 61 cm × 51 cm (24+1⁄8 in × 20 in)), Museum of Modern Art, New York City) (small triptych)[33]
- 1956–57
- Study for Portrait No.6 (Oil on canvas, 149 x 116 cm (58.6 x 45.6 in), Hatton Gallery, Newcastle upon Tyne)[34]
- 1957
- Study for a Portrait of Van Gogh IV (Oil on canvas, 152.4 cm × 116.8 cm, Tate Gallery, London)[35]
- Study for a Portrait of Van Gogh VI (Oil on canvas, 198.1 cm × 142.2 cm (78 x 56 in), Arts Council Collection, London)[36]
- Study for Chimpanzee (Oil on canvas, 152.4 cm × 117.0 cm (60 in × 46+1⁄16 in), Peggy Guggenheim Collection, Venice)[37]
- 1958
- Pope with Owls (Oil on canvas, 198 cm × 1422 cm (78 x 56in), Museum of Modern Arts, Brussels)[38]
1960s
[edit | edit source]- 1959–60
- Walking Figure (Oil on canvas, 158.12 × 142.24 cm (78 x 56 in), Dallas Museum of Art, Dallas)[39]
- 1960
- Nude (Oil on canvas 152,4 x 119,7 cm,[40] Museum für Moderne Kunst Frankfurt, Frankfurt)[41]
- Seated Figure (Oil on canvas, 153 cm × 119 cm (60+1⁄8 in × 47 in), Private collection)[42]
- Study of a Child (Oil on canvas 152.5 x 118 cm (60 x 46.5 in), Botero Museum, Bogotá)[43]
- 1961
- Reclining Woman (Oil on canvas, 198.8 cm × 141.6 cm, Tate Gallery, London)[44]
- Seated Figure (Oil on canvas, 165.1 cm × 142.2 cm, Tate Gallery, London)[45]
- 1962
- Figure in a Room (Oil on canvas, 198.8 × 144.7 cm (78.2 × 56.9 in), Leeum, Samsung Museum of Art, Seoul)[46]
- Study for Three Heads (Oil on canvas, 35.9 x 30.8 cm (14 x 12 in), Museum of Modern Art, New York City)[47]
- Three Studies for a Crucifixion (Oil and sand on canvas, 200 cm × 140 cm (78 in × 57 in), Solomon R. Guggenheim Museum, New York City) (large triptych)
- 1963
- Figure with Two Owls, Study for Velazquez (Oil on canvas, 198.12 x 144.78 cm (78 x 57 in), San Francisco Museum of Modern Art, San Francisco) [48]
- Portrait of Henrietta Moraes (Oil on canvas, 165.1 x 142.2 cm (65 x 56 in),[49]Sheldon Solow[50])
- Study for Portrait on Folding Bed (Oil on canvas, 198.1 cm × 147.3 cm, Tate Gallery, London)[51]
- Study for Self Portrait (Oil on canvas, 165.2 x 142.6 cm (64.9 x 56.1 in), National Museum Cardiff, Cardiff)[52]
- Three Studies for the Portrait of Henrietta Moraes (Oil on canvas, each 36 cm × 31 cm (14+1⁄8 in × 12+1⁄8 in)), Museum of Modern Art, New York City) (small triptych)[53]
- 1964
- Study for the Portrait of Lucian Freud (Oil on canvas, 198 x 147.8 cm (78 x 54 in), Israel Museum, Jerusalem)[54]
- Three Figures in a Room 1964 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Musée National d'Art Moderne, Centre Georges Pompidou, Paris) (large triptych)
- Study for Self-Portrait (Oil on canvas, 152.4 x 140 cm, (60 x 55 in), Private collection)[55]
- 1965
- Crucifixion (Oil and acrylic on canvas, 197.5 cm x 147 cm (78 x 58 in), Pinakothek der Moderne, Munich) (large triptych)
- 1966
- Three Studies for a Portrait of Lucian Freud (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection) (large triptych)
- Portrait of George Dyer Talking (Oil on canvas, 198.2 x 147.3 cm (78 x 58 in), Private collection)[56]
- Portrait of Isabel Rawsthorne (Oil on canvas, 81.3 cm × 68.6 cm, Tate Gallery, London)[57]
- c.1967
- Untitled (Head) (Oil on canvas, 33.5 x 30.5 cm (14 x 12 in), Private collection)[58]
- 1967
- Study for Head of Lucian Freud (Oil on canvas, 36 cm × 30.5 cm, Private collection, long term loan to Tate Gallery, London)[59]
- Triptych inspired by T.S Elliot's Poem Sweeney Agonistes (Oil and pastel on canvas, 198 x 147.5 cm (78.25 x 57.25 in), Hirshhorn Museum and Sculpture Garden, Washington, D.C.) (large triptych)
- Three Studies for George Dyer (1967)
- Portrait of George Dyer and Lucian Freud (1967)
- 1968
- Two Figures Lying on a Bed with Attendants (Oil and pastel on canvas, 198 x 147.5 cm (78 x 57 in), Tehran Museum of Contemporary Art, Tehran) (large triptych)[60]
- 1969
- Three Studies of Lucian Freud (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection) (large triptych)[61]
1970s
[edit | edit source]- 1970
- Triptych 1970 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), National Gallery of Australia, Canberra) (large triptych)[62]
- Three Studies of the Male Back (Oil on canvas, 198 x 147.5 cm (78 x 57.5 in), Kunsthaus, Zurich)
- Triptych – Studies of the Human Body (1970) (Oil on canvas, 198 x 147.5 cm (78 x 58.5 in), Private collection of Jacques Hachuel, Paris) (large triptych)
- Triptych – Studies from the Human Body (1970) (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection of Jacques Hachuel, Paris) (large triptych)
- 1971
- Study of Red Pope 1962. 2nd version 1971 198 cm × 148 cm (78 in × 58+1⁄8 in)[63]
- In Memory of George Dyer (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Beyler Foundation, Riehen, near Basel) (large triptych)
- 1972
- Triptych–August 1972 (Oil on canvas, 198.1 x 147.3 cm, Tate Gallery, London)[64]
- Three Studies of Figures on Beds (Oil and tempere on canvas, 198 x 147.5 cm (78 x 57 in), Private collection) (large triptych)
- 1973
- Three Portraits: Posthumous Portrait of George Dyer, Self-portrait, and Portrait of Lucian Freud (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Beyler Foundation, Riehen, near Basel) (large triptych)
- Triptych, May–June 1973 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection of Esther Grether, Switzerland) (large triptych)[65][66]
- 1974
- Three Studies for Self-Portrait (Oil on canvas, 35.6 x 30.5 cm, (14 x 12 in), Private collection)[67] (small triptych)
- Triptych March 1974 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection, Madrid) (large triptych)
- Triptych 1974–1977 (Oil and pastel on canvas, 198 x 147.5 cm (78 x 57 in), Private collection of Joe Lewis) (large triptych)[65][68][69]
- 1975
- Three Studies for Self-Portrait (Oil on canvas, each 35.5 x 30.5 cm, (14 x 12 in), Private collection)[70] (small triptych)
- Three Figures and Portrait (Oil on canvas, 198.1 cm × 147.3 cm, Tate Gallery, London)[71]
- 1976
- Study for Self-Portrait (Oil on canvas, 198.0 x 147.5 cm (77.9 x 58 in), Art Gallery of New South Wales, Sydney)[72]
- Triptych 1976 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection of Roman Abramovich) (large triptych)[65]
- 1979
- Triptych – Studies of the Human Body (1979) (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection) (large triptych)[73]
- 1979–80
- Three Studies for a Self-Portrait (Oil on canvas, each 37 cm × 32 cm (14+3⁄4 in × 12+1⁄2 in), Metropolitan Museum of Art, New York City) (small triptych)[74]
1980s
[edit | edit source]- 1981
- Triptych inspired by the Oresteia of Aeschylus (Oil on canvas, 198 x 147.5 cm (78 x 58 in), Astrup Fearnley Museum of Modern Art, Oslo) (large triptych)
- 1981–82
- Triptych November 1981 – January 1982 (left panel) (Oil, pastel and transfer lettering on canvas, 198 x 147.5 cm, Private collection, the Estate of Francis Bacon)[75]
- 1982
- Three Studies for Portrait (Mick Jagger) (Oil and pastel on canvas, each panel 35.5 x 30.5 cm (14 x 12 in), Private collection, New York City) (small triptych)[76]
- 1983
- Three Studies for a Self Portrait (Oil on canvas, 35 cm × 30 cm (13+3⁄4 in × 12 in), Honolulu Museum of Art, Honolulu)[77]
- Triptych 1983 (Oil and pastel on canvas, 198 x 147.5 cm (78 x 57 in), Private collection of Juan Abelló) (large triptych)[78]
- 1984
- Three Studies for a Portrait of John Edwards (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection) (large triptych)[79]
- 1986
- Study for a Self-Portrait—Triptych, 1985–86 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Marlborough International Fine Art) (large triptych)
- Portrait of Gilbert de Botton Speaking (Oil on canvas, Private collection)[80]
- 1987
- Triptych 86–87 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection) (large triptych)
- Triptych 1987 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Private collection of the Estate of Francis Bacon, London) (large triptych)
- c.1988
- Blood on Pavement (Oil on canvas, 198 cm × 147.5 cm, Private collection)[81]
- 1988
- Portrait of John Edwards (Oil on canvas, 198 cm × 147.5 cm, Private collection of the Estate of Francis Bacon, London)[81]
- Jet of Water (Oil on canvas, 198 cm × 147.5 cm, Private collection of Mr. and Mrs. J. Tomlinson Hill, New York)[81]
- Second Version of Triptych 1944 (Oil on canvas, 198 x 147.5 cm (78 x 57 in), Tate, London) (large triptych)
1990s
[edit | edit source]- 1991
- Study for a Portrait March 1991 (Oil on canvas, 198 cm × 147.5 cm, Scottish National Gallery of Modern Art, Edinburgh)[82]
- Triptych 1991 (Oil on linen, 198.1 x 147.6 cm (78 x 57 in), Museum of Modern Art, New York City) (large triptych)[83]
See also
[edit | edit source]References
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- ^ Iden, Peter; Lauter, Rolf : Bilder für Frankfurt: Bestandskatalog des Museums für Moderne Kunst, München, Prestel 1985, Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).; Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).. pp 28–29, 166
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- ^ Brown, Mark. "Bacon triptych emerges from Tehran storeroom". The Guardian, 18 June 2004. Retrieved on 20 June 2010.
- ^ Lua error in Module:Citation/CS1/Configuration at line 2172: attempt to index field '?' (a nil value).
- ^ "Bacon, Francis Triptych 1970". National Gallery of Australia. Retrieved on 20 June 2010.
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- ^ a b c Thornton, Sarah. "Francis Bacon claims his place at the top of the market Archived 20 December 2014 at the Wayback Machine". The Art Newspaper, 29 August 2008. Retrieved on 10 June 2010.
- ^ "Post-War Works Shine at Christie's Archived 1 July 2016 at the Wayback Machine" Artnet News, 16 November 2000. Retrieved on 7 May 2007.
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- ^ Brown, Mark. "What recession? Bacon sells for £26.3m". The Guardian, 8 February 2008. Retrieved on 20 June 2010.
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- ^ a b c Gale & Stevens 2009, p. 281.
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Sources
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