File:Neil Goodman Biography 2011.jpg
No file by this name exists.
Summary
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Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright.
It is believed that the use of a picture
- to illustrate the three-dimensional work of art in question,
- to discuss the artistic genre or technique of the work of art
- or to discuss the artist or the school to which the artist belongs
- on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation,
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement.
| Description |
Sculptural installation by Neil Goodman, Biography, (cast bronze, ______, 2011). The image of a sculptural wall installation illustrates a major mid-career body of work by Neil Goodman, which he first explored in the mid 1990s and pursued into the 2010s, his site-specific wall installations of hand-wrought, bronze objects. They feature free-floating, modular arrangements of from two dozen to over 100 organic, abstract and geometric forms that read like code or language. Goodman also experimented with similar floor arrangements. This work and similar works have been publicly exhibited in prominent art museums and galleries, discussed in major art journals and daily press publications by prominent critics, and commissioned by museums. |
|---|---|
| Source |
Artist Neil Goodman. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a major mid-career body of work by Neil Goodman beginning in the mid-1990s: his site-specific wall and floor installations of hand-wrought, bronze objects. They feature free-floating, modular arrangements of from two dozen to over 100 objects that read like code or language and emphasize dynamic rhythms achieved through contrasts between horizontal and vertical lines, organic and geometric shapes, and activated negative space. Critics likened the groupings of seemingly natural, ceremonial and utilitarian artifacts to a museum archaeological display or tools organized on a pegboard, and in particular, note the objects' intimacy and detailed textures. Because the article is about an artist and his work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key phase and shift in his work and its reception and impact, which included major exhibitions, national reviews, and museum commissions. Goodman's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Neil Goodman, and the installation no longer exists in this form, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Neil Goodmanhttp://70.231.62.181/index.php/File:Neil_Goodman_Biography_2011.jpgtrue | |
File usage
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