File:Gail Gregg Gilded Gyre Fragment 92 2014-5.jpeg
No file by this name exists.
Summary
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Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright.
It is believed that the use of a picture
- to illustrate the three-dimensional work of art in question,
- to discuss the artistic genre or technique of the work of art
- or to discuss the artist or the school to which the artist belongs
- on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation,
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement.
| Description |
Relief/painting by Gail Gregg, Gilded Gyre Fragment #92 (metal leaf on cardboard, 9.5" x 10" x 1.25", 2014–15). The image illustrates a mid-to-later career stage in Gail Gregg's art: her encaustic and metal-leaf works of the 2000s, which used the found industrial forms of contemporary throwaway culture as support and point of departure and pushed toward relief sculpture. In this painting, she used metal leaf on cardboard packing forms to transform detritus in mysterious, precious objects. This work and similar works were publicly exhibited in prominent venues, discussed in major art journals and daily press publications, and acquired by museums. |
|---|---|
| Source |
Gail Gregg. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a mid-to-later body of work in Gail Gregg's art from the 2000s when she shifted the point of departure for her paintings from the landscape to the detritus of contemporary throwaway culture. These works pushed beyond the physical limits of paintings toward relief sculpture, employing found industrial forms as support—cardboard shipping materials, wine bottle dividers, 19th-century loom cards, plastic packaging. The resulting patterns ranged from the geometric and constructivist to the whimsical. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key stage of her work, a shifted in theme and form, which brought her further recognition through exhibitions in major venues, coverage by major critics and publications, and museum acquisitions. Gregg's work of this type is discussed in the article and by critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Gail Gregg, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Gail Gregghttp://70.231.62.181/index.php/File:Gail_Gregg_Gilded_Gyre_Fragment_92_2014-5.jpegtrue | |
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