For My Best Family
| For My Best Family | |
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| Artist |
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| Year | 2024 |
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| Location | Fondazione Prada, Milan |
For My Best Family was a 2024 art exhibition by Meriem Bennani and Orian Barki, funded by the Milan host facility Fondazione Prada. Developed over a two-year period, it featured two components on different levels of the Prada, a mechanical installation named Sole Crushing and a computer-animated film entitled For Aicha. The latter revisited the universe of Bennani and Barki's 2020 web series 2 Lizards, and was the first animated feature produced in Morocco.
The exhibition ran at the Prada premises between 31 October 2024 and 24 February 2025, and was well-received by Italian outlets. Both portions of Family resurfaced as separate attractions in late 2025: an extended version of Aicha which received festival release as the retitled Bouchra, and a standalone edition of Sole Crushing that debuted in Paris.
Overview
[edit | edit source]For My Best Family was held across two levels of Milan's Fondazione Prada during its run. The ground floor was occupied by a mechanical installation named Sole Crushing, while the upstairs Cinema Godard section on the first floor showed a computer-animated film entitled For Aicha.[1][2][3]
Sole Crushing comprised no fewer than 190 flip-flops laid out across six platforms,[2][4] which "slap against panels, creating a riotous, polyphonic composition and choreography....Most of them face a small, central podium bearing a single pair of flip-flops whose slapping movements are occasionally isolated, creating a sense of conversation between an individual and a crowd."[2] For Aicha—the 73-minute progenitor of what became Bouchra[5][6][7]—told the story of a 35-year-old queer Moroccan canid filmmaker[8][9][a] coming to terms with her sexuality and career through a series of phone calls to her Casablanca mother.[11] Sole Crushing's sound played during Aicha, particularly during the plot's "points of tension": "As the two main characters reach their resolution, so does the composition of the footwear when they finish their symphony."[14]
Development
[edit | edit source]With funding from the Fondazione Prada, Meriem Bennani worked on For My Best Family over a two-year period,[15] with different collaborators on each portion: Sole Crushing featured Reba Senhaji (a musician performing as Cheb Runner),[2][16][17] while For Aicha reunited her with creative partner Orian Barki (with whom she co-created the 2020 web series 2 Lizards).[8] All three were natives of the Middle East and North Africa (MENA) region: Bennani and Runner from Morocco,[17][18] and Barki from Tel Aviv, Israel.[19] In response to Prada's development deal, Bennani insisted that the exhibition include a feature film.[20]
Family was Bennani's "first solo exhibit in an Italian institution."[4] In Prada's promotion, she discussed the two components thus:
"[O]ne of the central themes of For My Best Family is knowing how to be together, wondering where a person begins and ends. The film focuses on a mother and daughter learning to be together, while in the installation the concept is more abstract and refers to collectivity in a broader sense, nonverbal moments of encounter in which there seems to be a force that takes the form of a multiform body. Like a puppet, the multitude becomes a single thing, a single voice, a single way of acting, and everyone knows exactly what they have to do at that moment, rhythmically or singing, for example how to use their bodies and stomp their feet. I like to use animation as a means of questioning togetherness and what it means to be alive."[21]
For Aicha was the first animated feature produced in Morocco,[12] and was set in the same universe as 2 Lizards.[2] Nearly 20 crew members in New York City animated the film on the Blender platform[6][12] under a budget[12] and 11⁄2-year deadline;[22] motion capture was also used.[22] Online videos of fans at Casablanca football matches served as Bennani's inspiration for Sole Crushing.[20]
Another 2 Lizards crew member, Flavien Berger, worked on the music in Aicha.[20] Influenced by Berber customs[23] and based on his initial perception of the characters,[24] Berger's score would eventually bring Who Framed Roger Rabbit to mind for Bennani and Barki.[24] Runner composed the cues heard in Aicha's Casablanca radio broadcasts;[20] he and Bennani also wrote the 45-minute backing track for Sole Crushing.[2][16]
Themes
[edit | edit source]The two components of Family "explore the centrality of human relationships, whether familial or collective,"[25] and "seek to understand the dynamics of being connected, like a family,"[14] while also recalling the artistic traits of early 20th-century animation.[4] Both use breathing as a metaphorical motif:[4] Sole Crushing uses pneumatic pumps,[4] while Aicha's protagonist Bouchra takes shots of Ventolin to cope with her asthma symptoms.[4][26] A writer for Italy's designboom noted the mutual relationships present in both components: Bouchra depends on Aicha, while the shoes depend on the pneumatic system that operates them.[14]
The exhibition's title is referenced in one of the film's last lines, spoken by Bouchra's aunt:[27] "I am really good because I am here with my best family."[5] Bennani admitted that this sentence "is grammatically incorrect" in English, but she and the Aicha team left it in the dialogue since it is open to interpretations by the viewer.[5]
Tenure
[edit | edit source]For My Best Family received its earliest mention in a late January 2024 article on Italian art site RED•EYE.[28] The names of Family's two components were revealed in Mexico's Noir Magazine by late July,[29] and Italy's Artribune the following month.[30] Following a preview on 30 October,[6][31] the Fondazione Prada held Bennani and Barki's exhibit between 31 October 2024 and 24 February 2025.[30][b]
Reception
[edit | edit source]Family was well-received by Italian arts outlets. The staff of Gilt Magazine said on its opening day, "If you are passionate about contemporary art or simply curious, [this exhibition] offers a must-see opportunity to explore the new boundaries of art and visual storytelling."[32] Laura McLean-Ferris of Mousse magazine wrote, "Sole Crushing is a moving, thrilling piece of work, but gains even more nuance from its pairing with For Aicha."[2] Ilaria Introzzi of Espoarte called Family "an act of love by the Moroccan artist [Bennani], towards herself and visitors. She devotes herself to both portions, free of towering complications."[33] Near the end of its run, Jace Clayton of 4Columns approved of its welcoming atmosphere despite the Prada building's "austere and unwelcoming" design.[34]
Legacy
[edit | edit source]In late 2025, the two components of For My Best Family resurfaced separately across different venues.[20] An extended 83-minute edit of For Aicha entered the festival circuit under a new name, Bouchra,[5][7][35][36] while Sole Crushing was relaunched in a different configuration at Paris' Lafayette Anticipations on 22 October.[37][38]
Notes
[edit | edit source]References
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Bibliography
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